MIM Notes 223 December 1, 2000 Amerikan culture monopoly thrives By MC12 Three years ago, we wrote a brief article on the top selling movies of the weekend, focusing on the corporate control and ownership of the movie industry.(1) An update of that research three years later shows the Amerikan culture monopoly is alive and well. Over the weekend of November 3-5, 2000, U$ moviegoers dropped more than $104 million on tickets. Stuck between summer and Thanksgiving, this was not a big movie weekend.(2) Of the total spent, 88% was spent on the top 10 movies, 68% was spent on the top four movies (Charlie's Angels, Meet the Parents, The Legend of Bagger Vance, and Remember the Titans), and 38% was spent on Charlie's Angels alone. Even without looking at the corporations behind the movies, this doesn't look like a diverse cultural tapestry of people expressing their identities through a smorgasbord of every different kind of cultural product. It is a very high level of cultural concentration, and one of the reasons MIM argues that -- contrary to anti-Communist shibboleths -- the public will enjoy greater "free speech" rights under the dictatorship of the proletariat.(6) The top four movies are distributed by Sony, Universal (Vivendi/Seagram), Dreamworks, and Disney (through its Buena Vista company). These companies together put out 25 of the top 125 movies, raking in 50% of the total cumulative receipts for all the movies. The next four companies cover the rest of the top 10 movies. Artisan, Fox, Warner Brothers (AOL/Time Warner), and Paramount (Viacom/CBS/Blockbuster) put out another 28 of the top movies, for 40% of the receipts. These top eight companies with the top 10 movies, then, put out 63 out of the top 125 movies playing that weekend (more than half), and controlled 91% of the total sales. Actually, this vast cultural influence in such a small number of hands is only the tip of the iceberg. These top eight movie companies, between them, control the ABC, CBS, FOX, and WB television networks, as well as hundreds of TV and radio stations (through direct ownership and network affiliation). Paramount is owned by Viacom, which also owns Blockbuster video stores as well as the CBS networks. Universal, which is now under the Vivendi corporate parent after Vivendi bought Seagram this year, also owns a musical empire, including PolyGram, Interscope, MCA, Island/Def Jam, and other music companies. Sony's movie division controls production and distribution of movies, TV shows, and videos, in 67 countries. The Sony Corp. of America parent company sells everything from electronics to life insurance, and also owns TriStar and Columbia Pictures.(3) Both Sony and Universal own a lot of movie theaters, which always helps. And lest the reader think they are only locked in competition to the death, note that Universal makes video games for the Sony PlayStation. Buena Vista, which put out Remember the Titans, is an arm of Disney, along with Touchstone, Miramax, Dimension, Hollywood Pictures, and of course Walt Disney pictures. In addition to the ABC network, Disney also owns 42 radio stations and 10 TV stations, along with ESPN, Lifetime, and other cable channels (not to mention theme parks). Finally, Warner Brothers is owned by the Time Warner empire, which publishes all those magazines as well as CNN, HBO, movies and music -- and will soon be owned by Internet power America Online, which is also the owner of Netscape, Moviefone, MapQuest.com, Spinner.com, etc. etc.(5) When we looked at the top five movies three years ago, they were distributed by Sony, Disney, Paramount and Time Warner. That weekend, the top five grossed 69% of sales for the top 60, the number then commonly published. This week, the top five grossed 73% of sales from the top 60. Since then, Time Warner has been bought by America Online, and Viacom has bought CBS, among other mergers. Amerikan capitalism promises its citizens the greatest "freedoms" in the world, even as it imprisons more than 2 million of them. But despite the "freedom" to consume a "choice" of products, the mass culture available to hundreds of millions within the U$A is tightly controlled by a tiny handful of interlocked companies. With the mass culture under control, the imperialists try to sleep soundly at night.(4) As we said three years ago, lots of critics of capitalism are upset about the concentration of capital in culture. But Maoists stand out in our understanding that this hegemony is reinforced by the massive infusion of super-profits from Third World countries. These profits make it possible to pay the people of the oppressor nations to play along. The movies alone can't fool everyone into supporting imperialism. In that way Amerika has developed a peculiar epidemic of decadent conformity, despite the constant mantra of free will and individuality and despite the vast wealth at their disposal. Under the dictatorship of the proletariat, MIM would take steps to promote a true mass culture, such as erecting large and convenient bulletin boards, convenient places will be convenient places to distribute literature, opening meeting halls for the general public, etc. Thus, MIM will encourage a mass debate on important societal issues, and will use these forums to argue against the casual expression of mistaken bourgeois ideas. Organized and active promoters of bourgeios ideas -- such as the idea that property rights come before survival rights -- will be sent to re- education camp. Notes: 1. "Corporate Concentration And Cultural Hegemony: One Weekend's Movie Sales." http://www.prisoncensorship.info/archive/etext/movies/movessay.html 2. Published data cover the top grossing 125 movies, or almost all of the movies being seen in theaters. See http://movies.yahoo.com/hv/boxoffice/latest/rank.html for the latest results. 3. PR Newswire, 9 Oct 2000. 5. Most of this corporate research is from http://biz.yahoo.com, but it is all publicly available from various sources. 6. "Free speech" under the dictatorship of the proletariat, MIM 1999 Congress Resolution, http://www.prisoncensorship.info/archive/etext/wim/cong/freespeech.html