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[Culture] [Gender] [U.S. Imperialism] [ULK Issue 34]
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Movie Review: Girl Rising

An extreme redefinition of the term "revolution"

"Once again we are presented with a campaign to end third world poverty and oppression that is incapable of confronting the roots of this oppression because it is bound up in the cycle it pretends to critique."(1)

I couldn't of put it better myself as those are the exact same sentiments/thoughts that went through my head as I watched Girl Rising, the highly touted new documentary film that is concerned with drawing attention to, and putting a stop to the oppression of young girls in the "developing world."

Now, being that this special aired on the info-tainment CNN television station I decided to watch to see just how exactly cable TV would handle this topic. Predictably enough, CNN and their NGO partners (Non Governmental Organizations) show us what most anti-imperialists are already aware of: that most wimmin and girls in the Third World suffer at exponentially higher rates than their First World counterparts. Beyond that however, the film didn't really make any poignant statements relative to the emancipation of wimmin, neither did they explain to us how these girls are supposed to rise, despite the film's name. Instead, the film-makers, the so-called NGOs, and the corporate sponsors they are both in bed with, used the children depicted in the film as a way to launch yet another offensive at the supposedly backwards culture of the oppressed. The take away? "Just look at how miserable these girls in the Third World are, look at how they suffer." The reason? Backwards, internal development, lack of First World ingenuity and innovation, and the reactionary culture of the global south. And the answer? Immediate imperialist intervention whether by bullion or by bullet.

Girl Rising is a movie centered around the life experiences of five Third World girls whose stories are told to us in order to garner much-needed attention to the endemic problem of gross patriarchal oppression in the periphery. Yet the patriarchy is never even referred to. Furthermore, the film leaves one with a rather pessimistic outlook for girls in the impoverished zones absent a western-style bourgeois democracy. And indeed, it would seem then that this documentary was designed just to induce such feelings. Conveniently enough this film fails to mention just how the oppressor of wimmin and girls in these countries is not mere happenstance, but systematic and directly linked to the uneven development of Asia, Africa and Latin America. Nor does it mention that the systematic oppression of young children in these societies (as the ones featured in Girl Rising) are a permanent fixture and of complete necessity for the ongoing parasitic privilege of beneficiary populations such as the United $tates. The perpetuation of capitalism in these countries, and the finance capital that is sent there and dressed in the veneer of "aid," is part and parcel of keeping these nations from developing self-sufficient economies independent of the global status quo.

Almost every other commercial during this two hour presentation is from some imperialist multi-national bragging about what they do for Third World wimmin and girls, when in reality all they are doing is commodifying these girls' oppression. Capital One, BNY Wealth Management and Intel all had their greedy hands in the cookie jar. Here's a perfect example: During an Intel commercial that aired during the movie, a narrative states: "A girl is not defined by what society sees, but how she sees herself." Now, besides the obvious commercialization of its product, Intel is just flat out wrong because, while that sweet philosophical statement holds some truth here in the United $tates where wimmin have "rights" (privileges) and know how to have them enforced, it is a completely different story in the Third World where the gender roles are not the same and are directly dependent on capital.

Amerika maintains the image that they are the gold standard when it comes to gender relations, just as they maintain the gold standard when it comes to how they treat their workers. Point in fact, the very first commercial during the film is brought to us by a feminine hygiene product maker depicting their version of how they see girls rising in the periphery. They show us how they make an African girl's dream come true by giving her the chance to direct a commercial for the day. Surely this dream is not reflective of the billions of Third World girls currently toiling under the weight of comprador regimes, death squads, sexual slavery, feudalistic landlords, and assembly line sweatshops. No, from the looks of this girl it is the dream of a privileged sector child whose parents might very well be a part of the technocratic petty-bourgeois intelligentsia of this much hyped "developing world." A far cry from the realities of the lives depicted in the film.

From little Wadley in disease ridden and underdeveloped Haiti, whose dream is to be able to attend school with her mates, but who is unfortunately unable to because her mother just doesn't have the money. Or Zuma in Nepal who was sold into slavery as a child, was liberated from her abusive masters by a teacher and now as a young adult organizes other girls to liberate those still held in captivity. Yazmin in Egypt who is no more than nine but is raped by some scumbag and then refused help from the police because the chance of prosecution is little to none. Azmera in Eritrea who narrowly escapes a life in bondage, and Senna in Peru whose life seems doomed to mining for scraps of gold. All these lives and their portrayal in Girl Rising are but glimpses into the real yoke of imperialist oppression.

We are constantly told that the mode of production called capitalism is the best humynity has to offer, and that a capitalist economy has already been proven superior to socialism, yet whenever the mode of production has been revolutionized and a socialist economy has been put into effect the people of those societies have seen a tremendous growth in the overall well being of their populations. This is most notably true for wimmin who've been immediately pulled out of their traditional roles as housewives and mothers and thrown directly into the production process, in which they help their nation create not only sustainability but wealth (in particular see socialist China and the USSR). The conditions created by wimmin's participation in the production process likewise creates the condition for participation in the political process where they assume power utilizing revolutionary politics to push people out of the middle and dark ages and into the New Democratic period in which the people truly hold power.

Certainly wherever socialism has triumphed it has been only as a direct result of wimmin's role and participation as guerrilla warriors, battalion captains and proletarian-feminist leaders in liberating her nation from not only the imperialists but the patriarchy; as only by defeating the one can she defeat the other.

The liberation of wimmin is not accomplished via equal pay for equal work nor by the granting of "abortion on demand" as these are really only privileges given to the gender aristocracy for their allegiance to empire. Instead of advocating for more privileges that are contingent on the backs of their Third World "sisters," the NGOs and the First World pseudo-feminists at the helm of such propaganda like Girl Rising and the "Because I am a Girl" campaign(1) should all aim their guns at the imperialist rape and plunder of the periphery that makes it possible for the First World pseudo-feminists to have "abortion on demand" and equal pay for equal work! Real feminist leadership can only come from the proletarian perspective and not from First World wimmin who are really just globally gendered males who have a real material interest in holding up the global system of oppression and exploitation.(2)

"If this campaign actually wants to change 'the plight' of girls then it should endorse wimmin's militias and factory takeovers on the part of women and girls. Such a revolutionary agenda, though, would put it at odds with its corporate sponsors and so, like every NGO, it will remain caught within an imperialist framework."(1)

Liberation of the neo-colonies from the patriarchal grips of the imperialists will set wimmin free in the global countryside; not charity from the imperialist centers.

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[Culture] [Europe]
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Movie Review: Les Misérables

Les Miserable
Les Misérables
2012

This is a movie version of the famous Broadway musical championing the poor in early 19th century France. The plot centers on a prisoner, locked up for stealing some bread to save his sister's son, who served 18 years for this "crime." Jean Valjean is unable to make a life for himself after finally being released from prison, and is persecuted by the specter of parole for the rest of his life. He sometimes seems to be on the path to leading a selfless life, helping others, something he decides to do after divine intervention from the Church. But ultimately we find Valjean pursuing capitalist success due to his individualist beliefs, presumably learned from the Church that helped endow him with faith in life.

The French class struggle against monarchy and feudalism features prominently in the movie, featuring a young man who is inspired to fight for the people, but who is then distracted by his love for a girl he has seen only once. This girl is under the care of the former-prisoner, Valjean, who took her in as an act of charity. The revolutionary youth contemplates abandoning the revolutionary cause for love, but when the girl disappears he decides he has nothing to live for and so may as well fight for revolution. This is not a particularly inspiring message for revolutionaries: we should not be making decisions about devoting our lives to the people only as a last resort when our first choice of romance becomes unobtainable.

Valjean ends up in a position where he decides the fate of his former prison-master, now a policeman, the man who has been pursuing him ever since he broke parole. And he frees the man, in what we take as an act of religious good will. The policeman later catches up with the prisoner and lets him go free in return. This whole series of events, along with the early intervention of the Church in Valjean's decisions create a major subplot in the movie devoted to an individualist debate over morals.

As for the French revolutionaries, they are a caricature of activists, with a fervently devoted leader, a key participant stuck in the debate over politics vs. love, and one young kid who nobly stands up for the people. This is a cruel minimization of the ideals of the class struggle, which was led by the then progressive emerging bourgeois class, but included the masses of workers and peasants in opposing the continued rule of the monarchy following the French Revolution. The young man in love with the former-prisoner's daughter is saved, for love, while other revolutionaries are killed. The saved revolutionary easily leaves the struggle and his fallen comrades behind when given the woman of his dreams.

Ultimately the message of this movie is that loving an individual and having pure Church-supported morals, is the liberation of people. Inspirational visions of the struggle as a success at the end revive all the dead people, as if history can be changed with just a bit of love and individualism.

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[Culture] [ULK Issue 33]
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Movie Review: Pitch Perfect


Pitch Perfect
2012

Here's a movie with a good-vibe attitude, very chillback, and the viewer will get a sense that there's not a problem in the world. However, the truth is far from this.

The setting of the movie deals with a womyn in her early 20s who gets involved in college by her petit-bourgeoisie father, who is a professor at the university. Her name is Beca and she likes to DJ and make music. Not willing to participate in any campus activities, her father gives her an ultimatum of trying an activity and if that doesn't work out he'll pay her way to LA to "pay her dues" as an upcoming DJ.

She tries out for the a capella singing group, and to her surprise is delighted by the mix of wimmin she finds herself with. Not really one who had friends, this movie is a good example of the stress capitalist society puts on individuals to "become" something and "fit-in".

While dealing with competitions Beca also confronts her sexuality by a man she becomes friends with named Jessie. Beca doesn't know how to "open up" and let her "guard down," but in a world dominated by patriarchy one can't blame her for closing herself to the world.

During most parts of the movie a lot of music gets played while side stepping the backwardness of some of the movie's song lyrics. It's important to note that culture helps shape peoples' ideology. Revolutionaries should not ignore how important music is to bringing in people to the cause. In other words, music is a great avenue for not only propaganda but also proselytizing. As MIM Theory 13: Culture in Revolution puts it, work should be done to comb through the culture of capitalism, knowing when to "leave hair intact or cut it off," to use this metaphor.

The good thing about this movie is that it shows an outsider coming in to change, and do away with, "traditional" ways of doing things, and shaking things up. On the other hand, as stated in the beginning, the audience will come out with the conception that everything is dandy and to attain one's happiness is the acme of success. This movie is a great example of how music has the power of influence, and more revolutionary culture should blossom to overcome the moribund culture this parasitic society in the United $tates spills out.

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[Culture] [Economics] [First World Lumpen]
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Hip Hop Serving the Middle Class

I want to comment on your article "Soulja Boy Dissed by Amerikan Rappers," featured in ULK22. Personally it is a grave disappointment to witness what hip hop has morphed into. We went from "Fuck da Police" and "Don't Believe da Hype" to "A Milli" and "Arab Money." Ironically the vast majority of the people that these modern day braggarts grew up around don't even have U.S. middle-class money, let alone "Arab Money."

Modern day hip hop artists seem unable and/or unwilling to move beyond this brag-about-my-wealth style of rap. Of course there's exceptions to this but in general there's no longer any social consciousness or depth to the lyrics of these mainstream hip hop artists. I'm no hater and I love to see people prosper and enjoy life but an album has to go beyond an artist detailing his or her good fortunes, to really have merit.

But pertaining specifically to the article, is it any real surprise that these artists ostracize an associate for something as simple as speaking his mind? The one main thing that the Black nation has been consistently good at throughout the years is attacking one another and embracing division, internal division.

Additionally all, or most of, the major hip hop artists are personally benefiting from the current system and establishment so naturally they stay in tune with it. They don't care that the overwhelming majority of people who look like them have been systematically discriminated against and oppressed from the very origin of this racist and corrupt country. The Hollywood set of the Black nation, which most of these hip hop artists integrate to, would sell their mothers and sisters for the crumbs their "massa" throws to them.

In part it goes all the way back to their forefather's house, which is Uncle Tom's cabin. A place where anybody who opposes "massa" is the enemy. And these descendants of Uncle Tom are the same today, they will go the extra mile, extra 1,000 miles, to protect their imperialists masters' interests; chiefly because they perceive some sort of shared interests and maybe even camaraderie.

Many people, even some in the underprivileged class, accept and embrace the glaring inconsistencies and contradictions which permeates U.$. society. They willfully embrace the lie that the establishment means good for them and the rest of the world, and when they're being pacified with their "Arab-Money" there's little chance they'll think any different.


MIM(Prisons) responds: While we share this comrade's dismay at the current state of politics from major hip hop artists, we don't see them as quite so isolated in their benefits from the current system. While the New Afrikan nation certainly faces ongoing national oppression within U.$. borders, they also enjoy the wealth of an imperialist country and can see that they are better off than the majority of the world's people. The vast majority of U.$. citizens, regardless of nation, are earning more than the value of their labor and are part of the labor aristocracy. So in a way, hip hop artists who speak about their good fortune, do represent something real to their audience, even if their level of wealth is unattainable for most of their listeners. And the shared interests with the imperialists are real: the wealth of the labor aristocracy is won from the exploitation of the Third World.

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[Culture]
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Movie Review: The Avengers

The Avengers
The Avengers
2012

This movie is a revival of the Marvel comic characters that have been part of the media propaganda for generations. It was another case of white superheros saving the world from villains. What's a little different in this movie is the pseryn calling the shots for the unit of superheroes, the Director, is Black.

The Director is the commander of The Avengers which is a group of six superheroes. The Director is advised by a shadowy group called "The Counsel." The Counsel is a group whose faces are always in the shadows but they are men and wimmin who are dressed in business suits and so they obviously represent the ruling class from the boardroom.

The Superheroes include the Hulk, Captain Amerika, Thor, Stark, Black Widow and Hawkeye. These six Avengers are dispersed all over the world living their lives when these assassins are activated by the Amerikan government.

The premise is that aliens invade Amerika so the Avengers are called to save the country. Amerika is harnessing energy from space at a top secret laboratory called "joint dark energy" where a portal is created that opens into the other side of space. It is through this portal that Amerikans seek to exploit resources from space, but instead a white man known as Loki comes through the portal. (Loki by the way is a word from a First Nation language). Loki in this movie is the villain.

This film is set in New York City and has a lot of shooting and blowing up buildings in it. The one female superhero, Black Widow, is a spy of Russian descent now working for Amerika. She is of course highly sexualized and starts off in a skirt beating up a few men.

At one point Loki shape shifts into a viking-like persyn and has a crowd of people kneel in front of him while he declares rather arrogantly that humanity was "made to be ruled, in the end you will always kneel!" Loki is portrayed as an alien with a British accent who wants to rule Earth, but it turns out Loki and Thor are brothers, in a classic case of inter-imperialist rivalry fighting over resources that are not theirs.

The aliens invade Earth for a war that takes place in New York City that has the six Avengers fighting a whole army of space aliens with captain Amerika at the forefront. It's interesting to see Captain Amerika brought back to the movies, originally Captain Amerika was a comic character used during World War II as a propaganda tool that showed Amerika saving the world. Created in 1940 the Captain America comic book initially had him fighting Hitler. More recently, starting in 2005, Marvel Comics has turned Captain Amerika and its other superheros to participating in Amerika's modern wars. During this time Marvel Comics even created a series of comic books specially for U.$. soldiers in the Middle East, so the use of comic book characters for the advancement of imperialist interests is nothing new as this has been going on for decades.

At one point in the movie The Counsel asks the Director to nuke New York City, arguing that this is the only way to save earth, but the Director refuses and the battle continues. The battle has many "foreign" aircrafts flying into skyscrapers, an obvious allusion to the twin towers getting destroyed. The movie ends with a nuke being shot into New York City but it is intercepted by one of the superheroes named Stark who is also a millionaire who changes into a robotic superhero at will. Stark grabs the nuke and flies it into space, saving New York City. So it was finally delivered - a millionaire capitalist superhero saved the world, and so The Avengers plays out as a classic Amerikan propaganda film. One thing this movie did get right is there will be a final battle and Amerika will be one of the participants but the fighting army won't come from outer space, rather the fighting army will be the oppressed on the ground and the result will be much different for the oppressor.

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[Culture] [U.S. Imperialism] [Middle East] [ULK Issue 31]
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Movie Review: Zero Dark Thirty

zero dark thirty promo
Zero Dark Thirty
2012

This movie claims to chronicle the decade-long hunt for Osama bin Laden after the September 2001 attack, culminating in his death in May 2011. This is a hollywood film, so we can't expect an accurate documentary. But that doesn't really matter since the movie will represent what Amerikans think of when they picture the CIA's work in the Middle East. And what they get is a propaganda film glorifying Amerikan torture of prisoners, and depicting Pakistani people as violent and generally pretty stupid. From start to finish there is nothing of value in this movie, and a lot of harmful and misleading propaganda. The main message that revolutionaries should take from it revolves around government information gathering. From tracking phones to networks of people watching and following individuals, the government has extensive and sophisticated techniques at their disposal, and even the most cautious will have a very hard time avoiding even a small amount of government surveillance.

The plot focuses almost exclusively on a CIA agent, "Maya," who devoted her career to finding clues to Osama bin Laden's whereabouts. Early in the film there are a lot of graphic scenes of prisoners being tortured to get information, including waterboarding, beatings, cages, and food and sleep deprivation. Maya is bothered by the torture initially, but quickly adapts and joins in the interrogations. The movie is very pro-torture, showing critical information coming from every single tortured prisoner, ignoring the fact that so many prisoners held in Amerikan detention facilities after 9/11 were never charged, committed no crimes, and had no information. Throughout the film there are constant digs against Obama's ban on torture as a method of extracting information in 2009. Ironically, in the movie the CIA still found Osama bin Laden, using no torture after the ban. But we're left understanding that it would have been much easier if the CIA still had free reign with prisoners.

Although Zero Dark Thirty portrays Obama as soft on terror and a hindrance to the CIA's work, we should not be fooled into thinking that the U.$. government has really ended the use of torture. While we have no clear information about what goes on in interrogation cells in other countries, we know that right here in U.$. prisons, torture is used daily. And this domestic torture is usually not even focused on getting information, it's either sadistic entertainment for prison staff or punishment for political organizing. In one example of this, a USW comrade who wrote about Amerikan prison control units died shortly after his article was printed, under suspicious circumstances in Attica Correctional Facility.

Banning certain interrogation techniques, even if that ban is actually enforced in the Third World, is just an attempt to put makeup on the hideous face of imperialism. Even if no Amerikan citizen ever practices torture on Third World peoples (something we know isn't true), the fact is that the United $tates prefers to pay proxies to carry out its dirty work anyway. Torture, military actions, rape, theft, etc., can all be done at a safe distance by paying neo-colonial armies and groups to work on behalf of the Amerikan government.

Whether actions are carried out by Navy SEALs, CIA agents, or proxy armies and individuals, Amerikan imperialism is working hard to keep the majority of the world's people under control and available for exploitation. The death of bin Laden is portrayed as a big victory in Zero Dark Thirty, but for the majority of the world's people this was just one more example of Amerikan militarism, a system that works against the material interests of most people in the world.

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[Economics] [Culture]
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Book Review: The Economics of Integrity

Economics of Integrity
The Economics of Integrity
By Anna Bernasek
Harper Collins Publishers
NY (2010) 195pp

This book is a perfect example of a culture obsessed with subjectivism and idealist philosophies. The book demonstrates the lack of integrity of people (bankers, stock brokers, etc.), claiming that it was the main reason the economy crashed in 2008.

In the prologue we read: "my father, a native of Czechoslovakia, risked his life to escape from communism in 1949..."(p3) Here we go again with the vilifying of communism well past the "cold war." The author even points to the subjectivism and individualism mentioned above, saying "This book pays tribute to the spirit of this nation, a spirit of optimism and idealism."(p3) And no wonder, a nation that's imperialist would send the message to its parasites that there would be food for all, just wait till we steal it from Third World, poor, semi-colonial nations!

One would expect that with economics in it, some portion of this book would discuss political economy. Not the case here, but with vulgar economics the author separates the political from the economy, when in fact the two are intertwined. Instead we are told "to be true to that spirit [optimism and idealism], my focus isn't on what went wrong. I am not primarily concerned with scandals, fraud and cheating."(p5) Again, "the economy isn't some dirty game where all the players are only out for themselves, trying to make their names and their fortunes."(p5) Wow! A guest commentator on CNN, CNBC spewing this bullshit, shouldn't be a surprise anyway.

The author basically negates the whole point by saying she is not concerned on what went wrong. The problem is that the whole damn game (capitalism) is in for itself. With one company/corporation trying to maximize their profits how can they not be out for themselves? But with such phrases as "...integrity unlocks enormous opportunities for wealth creation..."(p5), and "It is shared assets that make us wealth."(p13), or "for without integrity, the economy would not function"(p13), we shouldn't expect much of an analysis.

The author goes on to propagate the notion that integrity prompts companies to profits, not exploitation. She gives examples like milk production, taking money out of an ATM, Toyota, LL Bean, and banks. Besides some interesting factoids about these corporations (Of the world's official gold holdings (March 2009), Amerika holds 27%, Germany 11%, IMF 11% (p67). The top 3 brands and their wealth is as follows 1) Coca-cola - 66,667 (U$) 2) IMB-59,031(U$) 3) Microsoft -59,007(U$) (2008 brand values (millions)) (p124).), the book is a joke.

What the author fails to realize is that integrity does not create wealth in itself. Surplus value is the source of wealth. Not from First World world workers but from Third World proletarians who are paid less than the value of their labor for their productive work. Hopefully the author can come to grips with classes and national oppression more easily than pseudo vulgarist economy. What this simply amounts to is an apology for the loss the parasites in the U.$. felt during the 2008 meltdown.

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[Culture] [ULK Issue 30]
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Movie Review: Battle: Los Angeles (2011)

battle los angeles
U.$. Militarism saves the day from invading aliens
Here we have a movie (again) of extraterrestrials invading earth and killing its inhabitants. Meteors fall to earth that are actually complex life forms. Once again we see jingoism at its best by showcasing the Marines at the forefront of the fight for freedom and democracy. Scientists are at a loss to explain why the aliens are here until they see the water from the ocean receding. This is one thing the movie gets right when it shows a scientist saying that when a people are colonized for their resources, the colonizers must kill off/exterminate the indigenous population. My, are the chickens coming home to roost? Throughout the movie the director propagates heroism and sacrifice from the Marines, who in reality are at the front lines of genocide.

This movie has no use besides its sound effects. Perhaps an E.T. can come and obliterate the bourgeoisie in Amerika. That'll leave a power vacuum which we communists would be happy to fill. Another self promotion is what this movie is, as if Amerika has the solution to the world's problems. As a pile of shit walking around telling everybody they stink, so too does Amerika ignore the fact that it's the problem.

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[Culture]
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Book Review: The Girl with the Dragon Tattoo

girl with dragon tattoo
by Steig Larsson
Vintage Books 2005

I have been hearing the hoopla about The Girl with the Dragon Tattoo for a while now; it recently was made into a movie and so I thought I would try to find out a little about it. I learned that the author, Steig Larsson, was a leading expert on right-wing white extremist and Nazi organizations, and so I thought it would be interesting to see how much of his "expertise" spilled over into this "thriller." Larsson died in 2004 but not before completing a trilogy of which The Girl with the Dragon Tattoo is the first book.

The story starts off with the character Mikael Blomkvist, a journalist who was convicted of libel after he wrote a story accusing a wealthy Swedish finance capitalist of corruption. Within the story one character is explaining the role of a certain investment group to Blomkvist called AIA which, after the Berlin Wall came down, was active in European capitalism and the character says: "Believe me, it was a capitalist's wet dream. Russia and Eastern Europe may be the world's biggest untapped markets after China. Industry had no problem joining hands with the government especially when the companies were required to put up only a token investment."(p26)

Nations that were formerly socialist switched back to a profit-based system and opened up their markets to foreign investment. In the later stages of imperialism, where markets are saturated and there is too much capital to move around, this is in fact a "capitalist's wet dream" and corporate power often merges with the state in a carpool lane down the road of exploitation. This wet dream is one the author seems to understand quite clearly.

The other main character in the book is a bisexual women named Lisbeth Salander who is a 20-something white punk rock type who is a hacker and gifted investigator.

Blomkvist is hired by one of the heads of a Swedish wealthy industrialist family, Vanger, who wants to know who murdered his niece, Harriet, who disappeared decades before. The catch is Blomkvist must live one year on the island from which Harriet disappeared and investigate. In return Blomkvist would not only receive millions of dollars for attempting to solve this mystery but the industrialist would also give Blomkvist information on the finance capitalist which had Blomkvist convicted of libel, thus getting his personal revenge and having the biggest story of the year.

Blomkvist soon learns Vanger's brothers were both active in Swedish politics, one being a Swedish Nazi Party member and the other being a nationalist party member, while Vanger claims to have "no interest in politics." Vanger went on to study economics ironically.

Sprinkled throughout the book is the underlying subjectivism I was looking for in Larsson's writing, any "expert in Nazi extremist" groups would be expected to expose h ideas in a novel one way or another and Larsson does not leave us hanging.

He describes an angry email that Blomkvist received, stating: "I hope you suck cock in the slammer you fucking commie pig" (p190) and which Blomkvist saves in the "intelligent criticism" folder. A character named Lobach is described in Nazi Germany: "And Lobach knew how to land a contract, he was entertaining and good natured. The perfect Nazi." (p197) It is obvious where the author's line lies, for an "expert" on Nazism to describe a Nazi character as good natured in this book attempts to repackage these fascist scumbags as palatable to the reader, it's classic propaganda in the form of a novel.

At one point the young punk rock woman is raped and forced to perform oral sex on her "guardian" who is court appointed to handle her finances. This trustee named Bjurman who rapes her is described as a member of Greenpeace, Amnesty International, and an advocate for political prisoners in the Third World. It's interesting that throughout the book those who advocated progressive social causes are rapists and villains while Nazi's are described as "entertaining and good natured." It was this interweaving of the author's line within a novel in classic propaganda spirit which I knew I would encounter in this book.

The main character Blomkvist serving two months in jail for the libel case but does not describe prison conditions nor relations in prison. His stint in prison was reduced to two pages and was described as mostly playing poker and lifting weights.

[spoiler alert] It turns out that the brother of the old man who initiated this investigation in the first place is a serial killer who has been killing wimmin for decades. And his father was a serial killer before him and taught him how to kill and dispose of bodies. Blomkvist discovers this and confronts the culprit, Martin, who places Blomkvist in a torture chamber in his basement. This reminded me of a Security Housing Unit cell: it had no window, it was cold and spartan and made of stone. It is Salander, The girl with the Dragon Tattoo, who saves Blomkvist from certain death in the torture chamber.

The book is drenched in sexual perversion with a womyn being brutally raped and sodomized by a man, a man brutally raped and sodomized by a womyn, a father raping his son and daughter, and this same father forcing his son to rape his sister. Such a book is common in capitalist society where everyone is sexualized and the consumer culture is fueled by porn and capitalist immorality.

In the end Blomkvist and Salander expose a finance capitalist who had his hand in everything from fraudulent loans to child porn. This billionaire, after being exposed, fled Sweden and was tracked down and murdered in Spain. After this story broke Blomkvist regained his journalist career. And to wrap things up nicely with a fictional bow, the old man Vanger found his niece Harriet living in Australia after running away decades before, fleeing rape.

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[Control Units] [Culture] [National Oppression] [ULK Issue 29]
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Rapper Beef Props Up Prison Spending and Isolation

chief keef
[This article was added to and facts were corrected by the Under Lock & Key Editor]

Recently, Chicago rapper Lil Reese signed a $30 million contract with Def Jam to make music. A day or two later he brutally beat down a woman for verbally disrespecting him. Lil Reese is an affiliate of another Chicago rapper, Chief Keef, who has also been making a name for himself for being at the center of controversy around violence in hip hop. A recent episode of Nightline addressed the fact that at least 419 people have been killed in a dozen neighborhoods in Chicago in 2012, more than the number of U.$. troops killed in Afghanistan where resistance to the occupation continues to grow. The program centered around a sit-down of 38 members of lumpen organizations in Chicago organized by Cease Fire, a group discussed in ULK 25. It also featured a Chief Keef and Lil Reese video to criticize Keef's anti-snitching stance. MTV.com reports that the participants almost unanimously agreed that it would practically take a miracle to stop the violence.

The misogynistic nature of rap music has been analyzed and explored thoroughly. This article is not meant to downplay the senseless violence against a humyn being, but the "powers that be" are using the incident with Lil Reese and programs like Nightline to formulate another sinister plot to target the oppressed nations in Amerika.

Chicago has had one of its most deadly years in terms of urban gun violence, and this has been attributed to Chicago street tribes and lumpen organizations. The Aurora, Colorado movie theater massacre perpetrated by a man who claimed to be "The Joker" does not generate the same fear or threat that young Blacks and Latinos in the hood with guns do. Why is that?

Imperialists are not worried about white males in Amerikkka with guns. It is the oppressed nations that pose the most realistic threat to the oppressive imperialistic regime. We have seen the toll that the so-called "war on drugs" has had on our Black and Latino nations. Genocide, social control, and mass incarceration of the lumpen underclass; it's the Amerikan way! During the presidential debates both candidates agreed on keeping gun laws the same.

One of the most brutal social control programs is being formulated as we speak and it will be cloaked in a "war on gun violence." In truth it will be a death blow to urban street tribes and lumpen organizations. President Obama and his Attorney General Eric Holder have pushed for one of the highest budgets for federal prisons and detention facilities that we have seen in years. The states are actually reducing their prison budgets because of the dismal economic conditions, but the feds are pumping up the volume! A whopping $9 billion dollars has been allocated for the U.$. Department of Injustice in 2013 for corrections, jails, and detention facilities. Of that, $6.9 billion has been allocated to the Federal Bureau of Prisons in 2013, an increase of about 4% in tight fiscal times.

There is a prison in Thomson, Illinois that had been tagged as the location where Guantanamo Bay detainees were supposed to be housed after President Obama closed the barbaric torture chamber in Cuba. However the Amerikan public balked! They said they did not want these "dangerous terrorists" housed on Amerikan soil. U.S. Attorney General Eric Holder still wants to purchase the prison in Thomson, Illinois and change it into a Super-Max just like the one in Florence, Colorado. 1,400 Ad-Seg/solitary confinement beds for "the worst of the worst" in Amerikkka. These beds will be for oppressed nations, just like the solitary confinement cells in prisons across the country.

MIM(Prisons) has reported extensively on the use of control units as a tool of social control. These torture units are used to target political organizers and leaders of oppressed nations who are seen as a particular threat to the imperialist system. We have been collecting statistics on these control units for years, because the isolation cells are often hidden within other prisons and no consistent information is kept on this pervasive torture within Amerika. We invite prisoners to write to us for a survey about control units in their state to contribute to this important documentation project.

For those facing violent conditions in Chicago or elsewhere who turn to despair, remember that there are many who come from the streets of that very city, from the Black Panthers to lumpen organizations, who have taken positive paths. If it weren't for the interference of white media and the police, things would be different now. Ultimately solutions to those problems must come from the people involved who don't want to be living like that, no matter how they brag about being tough in a rap. The way out may not be obvious, but things are always in a state of change. And when it comes to humyn society, it is up to humyns what that change looks like. Struggle ain't easy, but it is the only way if you have ideals that contradict with the current society under imperialism.

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