The Voice of the Anti-Imperialist Movement from

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[Culture]
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Language and Revolutionary Struggle

I am shocked by the stupidity of the Amerikan people to recognize the causes of this economic cri$i$ and the roots of the current covert and overt imperialist wars (i.e. massacres) against other native nations and majority-driven grass roots movements. But I am equally disturbed in what I see going on within Amerika. I don't believe there is any will by the Amerikkkan people to resist against this United Snakes of surveillance. Instead what we have is ridiculous groups like the Tea Party whose true fear is of Amerika losing its hegemony to rising Oppressed Nations.

A lot is to be blamed for this. Like letting political pundits and the co-opted media determine the topic and language of social debates. And don't get me started on the media's go-to military West Point grad analysts who are supposedly going to give us a fair and truthful analysis. All we hear is terror terror terror, national security security security, austerity cuts cuts cuts, and planned protest protest protest.

To hell with the debate over Republikkkan or Democrat$. I'm ready for the revolution. A revolution is what we need to uproot the military industrial complex. A revolution would make the imperialist monopolies U$ currency paper worthless. A revolution would accomplish all that is needed. Yet our potential comrades are bogged down in appeasing Saturday or Sunday protest while the CEOs and corporate board members are out on their yachts. We're stuck in de-centralized legal battles while the political establishment appoints and upholds outrageous U$ supreme court decisions which undermine dozens of hard fought legal battles.

I could elaborate all century about the genocides, entrapments, and swindling business that this police state has committed but that is of little use to us enlightened few. Tactics, strategy and the execution of both is what we should focus on. The execution of tactical and strategic methods will vary depending on your individual prisons and predicaments within those bars of oppression. I myself am very limited in the activism I can contribute to the revolutionary movement because I'm in solitary confinement for the next three years (minimum). But through obscure ways I can talk with others. I use this channel of communication to convince and discuss current, past and future events.

I never discuss or answer anything in the language of the oppressor. What justice does it do us to use the term "bailout" when it's really a robbery? What justice does it do to call a Saudi fighting in Afghanistan a foreign fighter or terrorist and then on the contrary call an Amerikkan soldier fighting there a liberator or patriot. What justice does it do us to call a hungry man who takes from the oppressive rich a criminal and then on the contrary enable U$ exploitative foreign policy by calling it national interest. When we talk in the language of the oppressor we legitimize the frivolous arguments that ignorant amerikans have been partaking in since the consolidation of the modern media establishment that sponsors this imperialist empire.

So please comrades be more conscious of your choice of words when debunking this "amerikan dream" myth. This imperialist hegemony is in judicial, information, and economic cardiac-arrest (I wish I could say the same about the military). Propaganda is in full swing and the best tactical defense and offense is that of dialectical historical materialism. DHM is more than just 19th century literature It's a social and political science developmental pattern that serves as the best kryptonite to capitalism and this so-called democracy. So lets all convey our messages as revolutionary comrades and not as stupefied soldiers.


MIM(Prisons) responds: This comrade makes a good point about the importance of language in shaping our discussion about politics and current events. We need to use every tool at our disposal to expose the imperialists. However, we do not agree that Amerikans are "stupid" for not recognizing the causes of the economic crisis, or that the media is to blame for this. While the mainstream media is certainly serving the imperialists, Amerikans are going along with it because it is what they want to hear. The vast majority of Amerikan's have been bought off by imperialism and are paid more than the value of their labor with superprofits brought home from the exploitation of Third World. This gives Amerikans an economic interest in sticking their heads in the sand and supporting imperialism. It's important that we understand the classes within U.$. borders so that we know who has a material interest in revolution and what demands we should be rallying people around. For a more detailed case study of Amerikan wealth, see the MIM(Prisons) article on the U$ housing market printed in ULK17.

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[Culture] [Release]
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Cartoon? Get real!

prisoners must work together
Cartoons aren't real. But in the mind of the public, that's what prison inmates have become; a not-quite-real depiction, a 'Freddie' or 'Nightmare on Elm Street,' or 'Chuckie' the evil, knife wielding doll from a similar themed movie. We are quite simply, 'The Boogie Man' to much of the public.

The news media has lifted this image of us in total, from the drawing pad of the prosecution and police spokesmen who have a budget funding interest in heightening the public's fear of prisoners. They traffic in fear for profit just as surely as any drug dealer traffics in narcotics.

As a group, prisoners are shunned and isolated from society, which serves to keep us unheard, unseen and sufficiently distant to mask the inconvenient truth of our humanity. Unsatisfied with our present excessive sentences and hopeless parole hearings, the state, through the ever-solicitous news media, paints a picture of prisoners as cartoon cut-outs of a somnolent evil, awaiting an 'early' release (which is in their eyes, any release this side of death). Then to swoop down and fall on society, like the mongolian hoards of Attila or the evil flying monkeys from 'The Wizard of OZ.'

The gang member, the mentally ill, and the drug dealer are each depicted as heinous, the sex-offender has the honor and burden of being designated the premier 'hated minority.' Some of our fellow prisoners believe, mistakenly, that the legal excesses directed at the sex-offender, will drain off the venom and hatred of the fear-driven stampede headed our way. It will not. Emboldened by their success against sex-offenders, they see no reason not to widen the scope of their offensive against liberty and justice, to 'cast a wider net.' And as they do so, we are unable to counter this wider application of law or restriction because with the unchallenged perversion of justice burdening the sex-offender there is legal precedent for us to be yoked together and like-wise bear an excessive penalty and burden. In the end we are all equally heinous in the eyes of the law.

Once started, this treatment of people as less-than-human, progresses inexorably, ever-widening, all-encompassing and proud of its own inhumanity. First the sex-offenders, then gang-members, then felons of every type, then misdemeanants, inflators, infractors, smokers and skateboarders, the 'disapproved', will each in turn, become one of 'those' who don't deserve justice. We've seen this before. Pick any pogrom, massacre, ethnic cleansing, relocation or concentration camp in history and you'll find that it's genesis was right here in the same denial of humanity and justice.

We are nearing the end of 2010 and the progression of anti-human, anti-liberty and anti-justice continues unabated. Here in the Fresno, California area, the young father, who put a thumb-nail sized tattoo on his son's side was sentenced to eight years in prison, pleading guilty to a child abuse charge to avoid a life in prison sentence. And just in time! A new law just passed in California, called 'Adams' Law', reflecting the shameful practice of naming unjust and legally dubious laws after children who have suffered death or abuse. What kind of memorial for a child is it, when the state commits injustice in their name?

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[Culture]
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Review: Tron: Legacy

Homeland Security Seizure

Tron:Legacy
December 2010

This sequel to the 1982 original Tron movie which was a technical trailblazer for its use of CGI but not a big hit, includes dazzling 3D special effects but not much else. The plot focuses on Sam Flynn, the grown son of Kevin Flynn who was the main character in the original Tron. Kevin, a computer visionary, disappears when Sam is 7, because he got stuck inside The Grid of an alternate computer universe that he created. The grown up Sam gets himself transported into this alternate universe and some dazzling race and fight scenes and trite plot lines ensue.

Tron: Legacy had a lot of potential for some interesting political content. There is the new digital race of people who came into being inside the computer universe. These people were all but completely wiped out by the evil dictator program Clu in his quest to eliminate all imperfection. Clu, the not so subtle fascist dictator, is a program that was created by Kevin Flynn, to help him build the perfect world. So we get a good solid anti-fascist message here. But the alternative, from Kevin, is praise for individualism and it's inherent imperfections, now that he's realized his mistake with Clu.

Rather than have the masses (of program beings) rise up against the fascist dictator, we're just told dismissively that they were all killed (but one). There are a few rumblings of the other programs being unhappy with dictator Clu, but they are incapable of organizing themselves into any resistance and the few we see either die or end up being turncoats serving the fascists. The only signs of useful resistance come from heroic individualist actions by programs who break with their fascist leader but with no explanation or organization.

In the end, the big individualists themselves are the only ones who can defeat the fascist dictator and save both the real world and the digitized alternate universe. This leaves us with three super-heroes who only need to kill off the dictator and all is right in the world.

Fundamentally Tron: Legacy promotes individualism and worship of leaders while dismissing the revolutionary potential of the masses. It suggests that the masses can only be liberated/saved by a leader who is much smarter than them. And so, in spite of it's lip service to anti-fascism, MIM(Prisons) doesn't recommend Tron: Legacy.

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[Culture] [Gender]
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Hip Hop, Gender and Pseudo Feminism

Most people are familiar with the patriarchy and exploitation of females in hip hop culture, especially in the music industry. From the days of 2 Live Crew to Snoop Dogg's appearance at the awards show with women who had dog collars and leashes around their necks to Nelly's "Tip Drill" video showing him swiping a credit card between a woman's butt cheeks, and don't forget his marketing of the energy drink "Pimp Juice."

All the above is abhorrent and should be criticized but no one really talks about the pseudo-feminists in the music industry. For example, Debra Antey, the CEO of Mizey Ent. and former CEO of So Icey Ent. and manager of Nicki Minaj, the latest hot female rapperstar and piece of porn for me to jerk off on.

A brotha also studying MT2/3 sent me an article from the Dec/Jan 2010 magazine XXL. We think this article points out the contradictions and bullshit these pseudo-feminists espouse. Antey was asked in this article "How to take Nicki Minaj to new heights?" Antey's answer: "with Nicki you have to know the role that you're about to step into. You're about to open the door for a lot of women, and you can't open it through the sexual stuff. She had to make a more conscious effort about what she was saying, and it's starting from the babies... I'm about empowering women, and Nicki is a product of that."

Anyone who's listened to Nicki's lyrics or seen any photos (promotional) of Nicki can only conclude that she's just the latest in a long line of females being objectified to make money. What's so empowering about Nicki calling herself a "5 star bitch," dressing sexually provocative and talking about men paying her for sex (taking her shopping). How is that empowering women?

"Pornography has no value if it shows women doing empowering, important, and meaningful things. Its value is tied to portraying a bitch ready to be raped." (MT2/3, pg 127)

In street terminology, Antey is a pimp. She enriches herself through the exploitation, pornographic objectification of young black female entertainers, Nicki in this instance. It's all game.

Antey was asked a second question: "On being a 'powerful' woman in a male-dominated business." Her answer: "in the beginning, it was hard. I'd go to the table with a group of men, and nobody was hearing me. But I got a big mouth, so eventually you are gonna hear me, and I'm gonna stand my ground. I'm a strong woman. In the beginning, it was a little nerve-racking, but now it's a beautiful thing." Of course, it's a beautiful thing to Antey. She's getting paid big dollars. She's a pimp and she was able to convince the male-dominated industry that she was not a "threat to the men creating, marketing and profiting from the exploitation and economic coercion of the women who participate in making [pornography]."(MT2/3, pg 128) She assured them that their interest was her interest and that she was male also.

The point is that the pseudo-feminists have been highly successful in deflecting criticism away from themselves. MIM is the only organization that I've seen take them to task and expose them.

Jean Grae rapped in the song "knock": "I rhyme sick but niggas is quick to turn their backs on spitters with clits /.../ they still want chicks with tits and ass out / my respect is worth more than your advance cash out." The Debra Anteys (pseudo-feminists) of the music industry turn their backs also. "They are working to gain themselves more power to join in the oppression, and to profit off the labor and deaths of the poor and nationally oppressed peoples of the world." (MT2/3, pg51)

MIM(Prisons), we have much, much more to say on this and other topics mentioned in MT2/3. Especially, the "all sex is rape" and there's "no good sex" under capitalism.

Thanks for pointing out the socially constructed gender theory. It's right on point.

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[Elections] [Culture] [ULK Issue 17]
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Professional Sports = Passion of Decadence

SF Giants fans stomp out car
When people react this way to a Black man being murdered execution style by the pigs, the city of Oakland blamed it on "outside agitators."

1 November 2010, The San Francisco Giants won the World Series, and in addition to the tens of thousands of fans in the stadium, an estimated 12 million people watched the game on TV (not counting the millions watching in sports bars, restaurants and other public venues). As in other winning cities in years past, the city of the winning team erupted into “joyful mayhem,” as the San Francisco Chronicle calls it, with tens of thousands of people taking to the streets in drunken celebration that included property destruction, traffic disruption, and violence.

In classic bourgeois press form, pretending neutrality, the SF Chronicle’s headline article today was titled “SF Giants Series Celebration is Joyful Mayhem” and stated: “On Market Street, the celebration quickly turned wild and unruly, with an estimated 7,000 revelers in the streets, some jumping on cars, rocking Muni buses, tossing beer bottles, lighting fireworks and blocking traffic at Seventh Street.” A much smaller article, hidden on the Chronicle website, also mentioned “In the Mission, there have been reports of fires, broken windows and an alleged stabbing.” Compare this with the same newspaper’s January 8, 2009 report on the Oscar Grant protests. The article was titled “Protests Over BART Shooting Turn Violent” and gave a negative review of the protest which “mushroomed into several hours of violence Wednesday night as demonstrators smashed storefronts and cars, set several cars ablaze and blocked streets.”

We see that the same street violence is condoned when it’s in the name of professional sports. Police wandering the streets after the World Series were friendly, often clapping and cheering, and shutting down streets to help out traffic while enabling the celebration. During the Oscar Grant protest the cops showed up in riot gear and attacked the crowd.

While we’re no fans of imperialist elections, the World Series victory happened the night before election day and begs the comparison: people are more passionate about baseball than they are about the political future of their country/state/city. This is no surprise to those of us familiar with the decadence of Amerikan imperialism. Amerikans don’t need to worry about politics – the government is working in their interests to secure resources at the expense of Third World peoples to maintain wealth at home.

Sports passion includes a remarkable number of fans cheering “we did it!” and “we won!” as if they had anything to do with the team that won the game. In reality the SF Giants, like all professional sports teams, are made up of players from across the country, who are paid a ridiculous amount of money to wear a jersey for this team. Their allegiance to the city lasts only as long as the paycheck continues. In fact people point to statistics about the Giants' last World Series victory 56 years ago when they were based in New York as if that team had something more in common with the SF Giants than the font they use for their logo.

MIM(Prisons) would like to take all the sports passion in Amerika and turn it against imperialist violence or world hunger. We’d even call it progress if people get off the couch and play sports rather than get drunk watching millionaires play. Perhaps the improved circulation would help people think a bit more rationally about politics and the relative importance of professional sports.


Related Articles:
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[Culture] [ULK Issue 17]
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Otomatik Attak by FLATTBUSH

https://www.prisoncensorship.info/art/fb.jpg"

[img="https://www.prisoncensorship.info/art/quick/fb2.jpg" alt=Flattbush bassist]

Flattbush's newest album Otomatik Attak (Koolarrow Records) is a prime example of form meeting content to create a superior piece of cultural art. A metal/grind band out of Los Angeles founded by two members originally from the Philippines, Flattbush keeps a "fuck the system" tradition alive with themes of atheism, revolt, and anti-capitalism. These comrades scream for liberation in English, Tagalog, and Kapampangan, accompanied by guest vocals in Spanish. They go the distance lyrically by focusing on U.$. fascism and imperialism in the Philippines, calling on the people to stand up against the Gloria Macapagal-Arroyo dictatorship in people's war.

From "Dear Uncle Sam,"

the sadistic american imperialists
they are always at war and they always dictate
so they can maintain their self interests
but uncle sam we are not afraid of your high tech warfare and atomic bombs
uncle sam
fuck you uncle sam
it is necessary to take action
it is necessary to oust the u.s. gloria fascist regime
if not now
then when?

And from "Otomatik Attak,"

automatic attack
on the people
the strike of the fascist
to wipe out
the solution to their attack is to counter attack
people's war

Flattbush hopes to expand their cultural work to the Philippines in the near future, live! To show solidarity with the peasant masses, the lead vocalist often performs in a conical straw hat and plain jacket, similar to a Mao suit. Supporting his powerful and compelling vocals, the bassist, guitarist, and drummer are all phenomenal players. On stage they are humble, not pausing for applause between songs. This album would satisfy anyone into metal for the music, or anyone who is fighting intensely for revolution. Get more info about Flattbush from [url=http://www.flattbush.com.

]www.flattbush.com.

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[Culture]
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Language use in ULK

I received your writer's guide for Under Lock and Key and appreciate the very informative July/August and September/October issues of ULK. I strongly agree with your views regarding dialectical materialism and communist philosophy. I also relate to the social struggles of oppressed peoples everywhere. But I would like to express my legitimate concerns about political satires and proletarian language.

Because of a socialization effect, most oppressed people in this country believe that western values are superior to other social values and world views. What i believe this means is that because ruling class values dominate the societal infrastructure (i.e. religion, education, economic, media), they have lots of influence on cultural values, norms, attitudes and other meaningful symbols that shape human behavior, transmitted from one generation to the next.

What I'm saying is that most oppressed people in America are not politically or socially conscious about other world views or the ideologies of other social systems. Therefore people must be introduced to new ideologies gradually to begin to understand that they're living in an individualist, racist and fascist western bubble. I believe the most effective way to educate people is by educating them in a system they're already familiar with. I personally don't disagree with political satire and proletarian language. I just believe that when you're trying to attract a new or wider audience to your views, it has to be something culturally accepted. I believe if potential readers don't understand the reasons for satire and proletarian language, they won't take the material seriously.

Those are my thoughts, and I choose to write to the mainstream audience for the above reasons, I am fully in the struggle, and I will continue to educate myself, teach, and learn from other people.


MIM(Prisons) responds:
We welcome discussion like the above about our use of language in Under Lock and Key and other literature. This comrade correctly points out that people in Amerika have been educated within a culture that has taught them both language and history. What this comrade doesn't mention, that is an even more powerful force for Amerikans, is the wealth and comfort that Amerikans enjoy just by virtue of their accidental citizenship. The culture of Amerika is a product of this privilege. And it is true that many Amerikans are going to be turned off by the language that we use.

But we have to keep in mind that we do not see the majority of Amerikans as our audience. We are targeting a small minority of oppressed, specifically prisoners. And this oppression helps people see the reality of the imperialist world they live in in a way that most Amerikans won't because they have no reason to want to see it. While we could definitely attract a wider audience by toning down our language, this would require us to also tone down our political line, and effectively give up our goals altogether. And we are not willing to stop calling Amerika imperialist or kowtow to the democratic party, to gain more supporters. We are saying things that no one else in this country is saying, and it's important that this political message get out there, even if only a few people will listen right now. We speak the truth, and know that most Amerikans will not listen.

MIM(Prisons) uses language to make a political point. It is not satire when we spell Amerika with a 'k.' We are making a political point about this country and the politics of imperialism. We use "womyn" to make a point about gender and our opposition of seeing wimmin as derived from men.

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[Culture] [ULK Issue 16]
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Toy Story 3 Review

barbie and ken flirting

Toy Story 3
Pixar
Summer 2010

Sequel to Toy Story 1 and 2, this movie starts off with Andy, the boy who owns the toys featured in the movie, heading off to college and packing up his stuff. His toys are long forgotten in a trunk and are feeling forlorn about being abandoned. The toys end up being donated to a daycare, but not without much whining about the importance of loyalty to their original owner. Woody, the apparent hero of the movie, is an especially strong advocate of devotion to their one and only owner, even in the face of the logical argument that Andy has grown up and has no need for them any longer and so they should hope to move on to new kids.

We're not looking to liberate the toys of the world, but this movie has some insidious messages for both kids and adults. First there's this theme of loyalty to one owner, a message that is repeated later at the daycare center by the toys that have become evil dictators because they felt abandoned by their owners. This is a good subtle way of encouraging kids not to question the status quo or try to make change independently. Sure it didn't work out for the bad toys, but loyalty paid off for the good toys who end up in a good home in the end, with the blessing of their original owner.

Toy Story 3 does hammer home the point that it's not good to have evil dictators in charge. The Ken doll makes a little speech about how everyone should be treated equally to underscore that message. But this message is so blunt it's hard to see how anyone would really learn anything from it. And although the good toys work together against the evil dictator, they don't do any work among the masses of other oppressed toys to try to rally them to help. It was just a few focoist heroes, out to save themselves, who accidentally overthrew the evil dictator in their attempts to escape a bad situation. So the writers pass up an opportunity to promote organizing the people against the power structure in favor of focoist hero worship.

The one correct message in Toy Story 3 comes when the evil dictator toy and the good toys end up in the trash burning machine and they are all about to die. The good toys try to work with the evil dictator bear to save themselves and him, and he abuses their trust to save just himself. This is a lesson we can apply to the imperialists who will never give up their power peacefully and work with the people for the common good.

The last thing worth commenting on in this movie is the reinforcement of patriarchal gender roles. The two main female characters are Barbie (playing, well, a barbie doll who spends most of her time working on her relationship with Ken) and Jessie, who's a bit of a tom boy who at least gets to go along on adventures with Woody, but who is very much taken in by the romancing of a Spanish-speaking Buzz Lightyear. So basically the focus of the plot involving the two main female characters is romance. There is some mild mocking of gender roles around the Ken doll who has way more outfits than, it is implied, a normal man might have. But the implication seems to be that he's a toy more fit to be played with by a girl than a boy. Nothing very progressive.

Overall MIM(Prisons) would recommend this movie to supporters of the patriarchy and the imperialist system. It would be useful for training their children in some of the norms of the oppressive world that they love.

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[Culture] [National Oppression] [ULK Issue 15]
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Cultural imperialism: Why oppressed nations should not celebrate our oppressor's holidays and cultures

As revolutionaries we recognize the important role of understanding history and culture and how a correct analysis of them aids the people in breaking the chains of national oppression.

If imperialism is the control and exploitation of poor nations by rich nations then cultural imperialism is the domination and negation of a poor nation's culture and history. When an oppressed nation practices the culture and participates in the celebrating of the national holidays of their oppressors, they are, in fact, celebrating their own oppression, cultural domination and genocide.

In the United $nakes, oppressed nations tend to celebrate the oppressive white nation's holidays and culture with more enthusiasm than the white folks. Back during chattel slavery this could have been understandable, because it meant we didn't have to work in the white man's fields for free. But today, the reality is different.

The 4th of July (Amerikkka's day of independence) is upon us again and New Afrikan (Black) people and other internal oppressed nations have absolutely nothing to celebrate. It is a downright disrespect to our people's historic struggle to be out celebrating, partying and bullshitting, when we should be in the streets agitating, educating and organizing the masses for social revolutionary struggle for national independence. When we gain our independence, then let's celebrate.

The 4th of July is a Euro-Amerikan cultural and political holiday in recognition of their successful revolutionary struggle to break the chains of English colonial bondage. On July 4, 1776, Black, Latino and First Nation people were catching hell! We were enslaved, being exploited and murdered, so what the hell is our cause for celebration? Do we suffer from some sort of cultural and historical amnesia?

Check out what Frederick Douglas had to say to the white folk who asked him to speak at a fourth of July celebration:

"Fellow citizens, pardon me and allow me to ask, why am I called upon to speak here today? Perhaps you mean to mock me. For what have I to do with your celebration? What to the American slave is your fourth of July? I answer, a day that reveals to him more than all other days in the year, the gross injustice and cruelty to which he is a constant victim. To him, your celebration is a sham, your boasted liberty an unholy license, your national greatness, a swelling vanity, your sounds of rejoicing are empty and heartless, your denunciation of tyrants, brass-fronted impudence. Your shouts of liberty and equality, hollow mockery, your prayers and hymns, your sermons and thanksgiving, with all your religious parades and solemnity, hypocrisy - a thin veil to cover up crimes which would disgrace a nation of savages."

What you say and do is a reflection of who you are. The only true culture of the oppressed is a revolutionary culture that is built throughout the struggle for national liberation. The people's culture is not some far off distant time that has long ago burned out in some distant land. It is alive and developing out of the people's struggle against oppression and exploitation.

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[Culture] [ULK Issue 11]
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Thangs-taken

You got a green card?

Back in September, American Indian Movement activist Leonard Peltier, who's been in prison since 1977, wrote an article responding to his denial for parole entitled, "I am Barak Obama's Political Prisoner now." In it he wrote, "If only the federal government would have respected its own laws, not to mention the treaties that are, under the U.S. Constitution, the supreme law of the land, I would never have been convicted nor forced to spend more than half my life in captivity."(1)

In October, in Denver, the birthplace of Kkkolombus Day, activists lead an annual protest of the patriotic parade, which "commemorate(s) the beginnings of America itself." Of this year, they report: "We chanted "Down With Kolumbus Day, Settlers (and Occupiers) Go Away!" To liven up the anti-colonial festivities we brought a piñata of Uncle Sam. Protesters had whacks at it with a shoe, in honor of Al-Zaidi in Iraq."(2)

As we work to get this issue of Under Lock & Key off to you all in November, amerikans are warming up their kitchens for a cozy Thanksgiving ("Thangs taken" is more accurate) dinner on land stolen from the First Nations, made up of food picked and packaged by exploited Latino migrants, served on dinner plates made by exploited Asians, paid for by stolen wealth from natural resources in the Middle East, while millions of children in Africa starve.


notes:
(1) http://www.counterpunch.org/peltier09112009.html
(2) RAIM Global Digest Issue 6. November 15th, 2009.

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