Prisoners Report on Conditions in

Idaho Prisons

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www.prisoncensorship.info is a media institution run by the Maoist Internationalist Ministry of Prisons. Here we collect and publicize reports of conditions behind the bars in U.$. prisons. Information about these incidents rarely makes it out of the prison, and when it does it is extremely rare that the reports are taken seriously and published. This historical record is important for documenting patterns of abuse, and also for informing people on the streets about what goes on behind the bars.

We hope this information will inspire people to take action and join the fight against the criminal injustice system. While we may not be able to immediately impact this particular instance of abuse, we can work to fundamentally change the system that permits and perpetuates it. The criminal injustice system is intimately tied up with imperialism, and serves as a tool of social control on the homeland, particularly targeting oppressed nations.

[Abuse] [Idaho Maximum Security Institution] [Idaho]
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Private Prison Retaliates for Exposing Civil Rights Violations

Having recently organized several concerns within the Idaho prisoner population at Eagle Pass correctional Facility on the Mexican border in Texas, I faced swift acts of retaliation by the Idaho Department of Corrections and employees of the GEO Group, Inc. On approximately February 22, 2019, I made multiple submissions of three formal complaints, with one accompanied by a large group of signatures representing a class action petition. This presentation was delivered to the Texas Commission on Jail Standards, the Inspector General of Texas, the Texas State Health Department, the Center for Disease Control and Prevention, ACLU Texas, ACLU Idaho, and Idaho media. Additional resources were expected to be added to this mailing list pending initial response.

The retaliation took form through the modifying of a pre-existing disciplinary offense from November 11, 2018. In accordance with the EPCF Inmate Handbook, the violation was initially served as creating a disturbance 23.0, a minimum offense. This disciplinary charge wasn't written specific to IDOC policy and failed to meet the appellate process time lines and federal guidelines for Disciplinary Due Process Procedure. It's processing has also violated IDOC Policy 318.02.01.001 (Disciplinary Procedures for Inmates), Sections 18 (Transfers), 26 (Time Limits for Formal Sanctions), 30 (Appeals: Method of Administrative Review), and 33 (Audits and Data Analysis).

This disciplinary offense that has been modified is central to a complaint presented following the second group disturbance in November, which involved approximately twenty prisoners. Other prisoners involved were charged with the same offense listed above, as well as additional offenses of greater severity. These offenses were also not processed according to IDOC Policy 3/8. While sanctions were served in full at the time, they were disproportionate to the offenses as classified by the EPCF Inmate Handbook and were also in excess of IDOC Policy 3/8. This and the massive failure to provide disciplinary due process to the entire group of prisoners form the body of this complaint.

In addition to failing to meet the standards set by IDOC Policy 3/8, there is a clear violation of Texas Minimum jail Standards, Section 283.2, regarding facility rules and regulations. Prior to them being provided to and signed for by prisoners, there was a failure to replace the current disciplinary policy in the EPCF Inmate Handbook with IDOC Policy 3/8 when it was presented for approval by the TCJS. Per this mandate of Texas jurisdiction, regardless of the contract IDOC signed with the GEO Group, Inc, the rules provided to and signed for by the prisoners are the ones the facility must adhere to.

By either standard of the rules, those that were presented to us prisoners or the ones that we were expected to have innate knowledge of, disciplinary due process failed and the sanctions given were disproportionate to the rule violations. They also exceeded maximum recommendations as outlined by IDOC policy 3/8, Section 26.

Once my sanctions were completed and while seeking intervention for daily human rights violations, I returned to general population, my job, and my normal routine for over two months without incident.

It is of note that there are still offenders in segregation in Texas for offenses more severe than mine that took place during this incident. Also worth nothing, while approximately two dozen offenders received violations with a severity equal to or greater than mine within a one-week period, I am the only inmate returned to Idaho with enough classification points to be placed in maximum security facility for five years. This despite a previously clean history without disciplinary or being labeled as Security Threat Group.

What this does follow is two months of sanctions completed, three months of waiting for appeals to process and one week of corrective actions following the first class action petition I initiated for proper food service sanitation.

It is well known I have been actively pursuing litigation. I have also recently been quoted airing the group concerns for my fellow prisoners through Idaho media. Broadcasting the opinion that IDOC fails to recognize viable issues without public interest being involved is fairly common for me.

It is because of this I now face additional sanctions – even more disproportionate to the rule violation – while my first appeal, from months ago, has yet to be processed and returned (IDOC prisoners in Texas get two appeals per IDOC agreement number A18-002, Section 5.5).

There are many of us involved in the mechanical aspects of my formal complaints. Of those, an equal number are eligible for my current situation. However, as I am alone in being the sole organizer presenter of our group issues. I am alone in being removed from Texas to face a more immediate and unnecessary form of discipline. One that prevents me from continuing to organize the class action petitions I initiated and have been actively representing to many different interests.

Letters IDOC refuses to send from May 5, 2019 outgoing mail

Idaho Statesman
Critical Resistance Portland
Senator Dan G. Johnson - ID
U.S. DOJ, Civil Rights Division
NAMI Treasure Valley
Senator Maryanne Jordan – ID
IDOC Deputy Chief Blades
Senator Cherie Buckner-Webb – ID
IDOC Director Tewalt
Lewiston Tribune
Senator C. Scott Grow – ID
Senator Mary Souza ID
Idaho Press Tribune ID
Lt. Gov. Janice McGeachin
Boise Weekly
Senator Chuck Winder – ID
Senator Steve Vick – ID
Idaho State Journal
Senator Michelle Stennett – ID
Prison Activist Resource Center
GLAD
Gov. Brad Little
Senator Mark Nye – ID
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[Rhymes/Poetry] [Idaho]
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The Mirror

Look at yourself, are you capitalistic?
Do you wake up, look in the mirror and decide
it's okay for Haitians to try to survive
off vanilla extract and mud
as long as your profits continue to rise?
When you see a gun on your HD TV
does it remind you to ship off a batch of AKs
to Venezuela to ensure the ghettos stay fighting
and the "commies" don't find solidarity,
because it's bad for business?
Are you so caught up in your marketing schemes
you search for the prettiest, poorest, youngest girl
to pose as needed because food and pride can be bought?
How greedy are your ideas
of squeezing out the most profit you can
from outdated fossile fuels
when you deny plans for reusable energy sources
in favor of war against poor people on Black Gold land?
When you boil your eggs in the a.m. do you smile?
knowing you payed as little as possible
to that farmer
knowing he must sell or die
in need of medications you own?
When you look in that same mirror
in the morning
and you say to yourself
"I'm not that bad, I'm no capitalist"
do you realize that in your complacency
by doing nothing
to stop these atrocities
you are worse
because you know it's wrong.

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[Rhymes/Poetry] [Idaho]
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We need you

There is a war going on, a fight for your mind's attention. You are laid in front of the machine with the tools to destroy it yet the black and white spinning screen is hauntingly enchanting. The voice that speaks tells you to relax, to think of your team's logo and your favorite song. Your eyes flicker and begin to lower. That warm feeling you get when joy flows over you is felt, you begin to obey but something screams inside of you from the core of yourself. A flashback into childhood shakes your awareness and you remember the sardines your mom turned down claiming she already ate. You stare into the machine who is simultaneously doing its destruction and hypnotizing you but it slips a bit allowing you to see it buying the land of a tribe for some pennies and trinkets while it moves in equipment to ravish the land, displace the indigenous people while creating conditions uninhabitable to anything with a pulse. You feel another child die of starvation where the machine was recently but that thing is spinning telling you its hopeless to resist, eat your ice cream with coffee and be happy it's not you. Your resistance falters until you look at the child holding onto your leg who resembles you more than your partner. The child is looking toward a future yet its plagued by limitations due to something as invaluable as ink on fabric. You grip your hammer and sickle but you are confused at how you will survive without the machine. Then you look around and see the millions of beings of all colors dressed in their different trades clothes with a smile on their face. You can tell they are waiting on something, is it that they are waiting for you to smash the machines that is in front of you that only you can smash or are they waiting for you to fall asleep? Either way the decision is yours, nobody can do it for you. The child looks at you says I love you as much as they do. I need your help as do they, the workers of the world, but the machine needs you too.

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[Environmentalism] [Rhymes/Poetry] [Idaho] [ULK Issue 11]
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It's Here

How much land can be used to create wind farms that produce electricity in an environmentally safe manner providing whole communities with no-cost energy? The same goes for sun farms and even oceanic wave farms. How hard is it to switch to renewable fuel that has zero emission fumes and doesn't require war and invasive surgery on the earth using tools of poor humans dying in the process? Why isn't there a free worldwide health care or poverty prevention plan but there is a multi-billion dollar industry for grown men and womyn's games, music and entertainment? Is a 3-year-old starving less important than a touchdown? Would you rather stare into the eyes of young man happy to cure his cancer or steroid using actors? It's here, the means to alleviate the suffering of the womyn giving birth to a child in half baked sewage water that came out of the local Nike sweat shop's exhaust. It's here, a way that all the inhabitants of mother earth can co-exist with each other and their surroundings instead of being a disease to our planet and each other. It's here, the imperialist capitalist doing his absolute best to lull you into non-action with his constant misdirection from the harsh cold truth. Next time you cheer for your team or nod your head to the radio remember reality is a lot harder to deal with when you're not hypnotized by complacency.

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[Culture] [Idaho] [ULK Issue 10]
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Tap the Potential of Hip Hop as Revolutionary Culture

I stopped reading ULK #9 to write this topic across a piece of paper, then I continued my ULK, which I might add is very enlightening. Thank you to MIM and all my comrades who make it possible. It's great to see brothers professing unity in the game instead of killing. I'm no active member but I've got my stripes, and I would be in a unique position to be a huge positive force in these young knuckle heads life by showing them exactly what Amerikkka wants the affiliated to be and what we as humyns should be. The street cliques can easily be revamped into a united front against U$ immorality if we proceed to do such instead of siding with paper and bling which brings me to the subject at hand, hip hop music.

In Idaho the pigs only allow radio, so all day I listen to my cellie thump hip hop. I was raised on MIG and 8 Ball. I'm from Oside SD, CA but I had to look a while back to see if I was being progressive or regressive. In no way is hip hop progressive, with the exception of a very small minority like Dead Prez. It's impossible to extract a positive role in the revolution when your mind is bent on pimpory and slinging packs! What's worse is with your $ from exploiting comrades, hip hop teaches to purchase the goods of the imperialists. The hip hop industry is grossing billions to ensure we are notoriously hypnotized and killing each other for the most idiotic of ideas.

I'm disgusted that something that could be such a huge asset to the liberation of nations all over the world is the main source of ignorant propaganda for the pigs. I don't need to name songs or artists cuz anyone who can formulate the words coming out of the speakers knows. I understand that the skill it takes to be a popular musician and a lot of these people come from backgrounds that this is one of the few skills they developed besides running and thugging, so if hip hop is to be an asset we all have got to teach these artists that the pictures they are painting are influencing more people to stroll down a path that destroys themselves, others, their communities and ultimately their culture.

I'm sure that will be a major struggle of its own because these high level execs will not forsake their deals to teach us that its wrong to be capitalistic. I doubt the U$ would even have allowed hip hop to become nationwide if they hadn't noticed and curbed the industry toward mindlessness. Look what happened to Ice T when kop killer came out, he was damn near lynched. People nowadays are obsessed with the latest hip hop trying to emulate it in every form and fashion. But hip hop is not only fantasy, it is counter revolutionary.

Don't think it's just hip hop either, it's 99% of all that the U.$. feeds you from sports to TV to movies, anything to keep you perpetuating the system instead of disillusionment. Reality is hard to deal with when you're lulled by the song that soothes the savage beast. If these mediums could be utilized the message would spread fast tho. Dare to struggle, dare to win. All power to the people!

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[Culture] [Idaho]
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Rap Music and Society

Rap music has recently been under fire for its misogynistic, materialistic, explicit content and for delivering negative messages to today's youth. But upon deeper examination, one tends to see that those ideas are merely the same ones being transmitted to the society at large by the institutions which govern society.

The parallels between the ideas propagated through the mass media and other sources; and the ones rapped about on the radio by recording artists are not hard to recognize. While this society proposes to thrive on such "rights" as "freedom of speech" and embraces such abstract concepts as individualism, materialism, and using sex to make profit, it lambasts and condemns artists who are the products of such defunct ideas and who have chosen to endorse and promote them for monetary gain—similar to their capitalist counterparts and employers—only creatively set over catchy beats in rhyme form.

While the hip-hop/rap culture is made up primarily of lower-class, urban youth, generally from the New Afrikan community. the question that arises is: Why are these destructive, negative values so unacceptable now? It seems that as soon as these inner-city youth find a way to use this society's own value system to their benefit, and use their experiences an conditions of poverty, drugs, and crime as an avenue to create material wealth, they are demonized for their efforts. "Rap music" as a whole is condemned. This is as backwards a reaction as is a child growing up around parents who constantly use foul language, then reprimanding that child when he uses that same language, without holding the parents to account.

Before further analysis, the distinction must be made between what is referred to as "rap" and hip-hop. This may seem minor to some, but it is an important contrast in regards to the subject at hand. The difference between the who can be compared to saying "I love you" to somebody (rap) and being IN love with somebody (hip-hop). Rap is a more commercial venture, where the artists typically brag about who has the flashiest jewelry, the hottest cars, the highest body count, and the most extravagant sexual exploits. Included in this category would be such popular artists as 50 Cent, Young Geezy, and Lil Wayne. Hip-hop, on the other hand, tends to be the expression of the artist's perception of life, their experiences, and an art form where they can articulate ideas and feelings. Artists falling into this category include Mos Def, Talib Kweli, Common, and Dead Prez. Unfortunately, both categories are lumped together and branded simply "rap" by the mainstream.

Most of the concepts being attacked come from artists in the "rap" category. Here, one can find rappers largely objectifying wimmin, advocating individualism and gangsterism, and supporting their general materialistic message by endorsing such acts as murder, robbery, and deceit, among others. After identifying these trends in rap music, one can't help but see the similarities between rap and the society at large.

Every time one turns on the television, they can not help but notice the many overt references to sex. Wimmin are scantily clad in commercial advertisements to sell almost any commodity imaginable. Wimmin in bikinis walk around boxing rings holding placards showing what round has begun; reality shows televised with wimmin competing for some random guy while employing a wide array of seductive tactics; the list could continue much further. All this is available to a general audience at any given moment throughout the day. The underlying idea is that "sex sells," and this idea is overwhelmingly used by men to objectify and exploit wimmin participants for profit.

Then there is the main reason that these wimmin are objectified—money. They stand next to an expensive car that is supposed to be the fastest and most popular; are in advertisements selling the "classiest" jewelry and apparel; and generally promote obtaining as many of the newest, flashiest, in-style material possessions as possible. This idea has become so widespread and acceptable that in schools the youth who are found to possess the newest, flyest clothes and products are the more popular, while those without the latest trendy clothes and items are the less socially acceptable.

Then there is also the issue of crime. While rappers are being chastised for glorifying violence and criminality, the chastizers fail to confront the underlying causes of such crime and its solution, instead placing the blame on rap culture. From a young age, youth are taught by society that accumulation of wealth is the desired goal of life, to look out for yourself and obtain as much as you can. At the same time—through acts of war at home and abroad— our country reinforces the idea that during the quest for the "almighty dollar." any means may be employed to get more money, including violence, murder, and deceit (among others)—only accepting those from the lower-class. When a person not from a privileged upbringing and background employs these same tactics, even for the same objectives, they are labeled "criminals" and are subject to incarceration and, in some cases, death. The laws that govern this country blatantly display the fact that they were made to protect the privileges of the upper-class at the expense of the lower-class.

This is not a defense for the clearly negative aspects of a culture that influences people from all kinds of different persuasions and races. Objectifying and degrading wimmin, and glorifying drugs and crime are definitely counter-productive and really reflect a symptom of a far wider problem. I am simply attempting to show the correlations between rap music and society, how they both inherently share and promote the same ideas and values, and how by and from the former they are criticized and scorned, yet by and from the latter they are accepted and embraced.

If we want to get to the root of the problem, our attacks shouldn't be aimed at a rap culture that developed from the harsh conditions of this society and which only reflects the same backward ideas and values that have been indoctrinated into the masses since birth. Instead, our attacks should be concentrated at a capitalist system that institutionalizes these degenerate values and ideas, and the ugly conditions it has consequently created in this country. Only when we begin to confront the root causes of crime, poverty, unemployment and racism will we be able to teach and educate our youth, and society as a whole, to new positive and progressive ideas and values, based on people helping and caring about other people-in one world: socialism. Anything short of this is a failure to confront the real issues and is simply a step backward.

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