Federal Prisons

Dear MIM,

Hello comrades. How is life on the outside treating you? I hope the injustice system is not overpowering you or your goals in life. As far as me, I keep an optimistic view of everything which happens to me. But recent events are really taking a toll on me.

First off I want to say I'm going to drop out of the study group until I go home due to incorrigible censorship that's transpiring here at Red Onion State Prison. I've been recently attacked with violence and threats to my safety and well being. They say they're investigating me as a possible terrorist associate and have taken everything, and I mean everything I owned in this penitentiary. So all my books, materials, etc. were confiscated. And I just recently came out of total isolation in a cold, dark lonely cell with nothing but a torn up bible to read. I was physically assaulted on June 6th and was not able to write it up (push my grievance) because I was in this predicament. It is an injustice to be treated like this. I am a human being! Just because I committed a crime doesn't diminish my capacity to feel and act on emotions! I can't wait for the revolution! I'm definitely gonna get some retribution! But I'm not going to be naive enough to just jump out the window on some fuck shit.

You know all of this stemmed from my political associations. But you better trust and believe I'm not going to let it hold me down or stop me from doing what I need to do and to stand up for what I believe in. Because if I won't stand for something, I'll fall for anything. And I'm not gonna fall for no bullshit.

Show them as scurrilous and depraved... Have members arrested on marijuana charges. Investigate personal conflicts or animosities between them. Send articles to the newspapers showing their depravity. Use narcotics and free sex to entrap... Obtain specimens of their handwriting. Provoke target groups into rivalries that may result in death. - FBI COINTELPRO tactics documented to be used against political musicians(1)

I hold that it is bad as far as we are concerned if a person, a political party, an army or a school is not attacked by the enemy, for in that case it would definitely mean that we have sunk to the level of the enemy. It is good if we are attacked by the enemy, since it proves that we have drawn a clear line of demarcation between the enemy and ourselves. - Mao Zedong. To Be Attacked by the Enemy Is Not a Bad Thing but a Good Thing (May 26, 1939)

One indication of the revolutionary potential of hip hop is the bourgeois state's reaction to it. Just this summer, police arrested Paradise Gray of X-clan, and the Zulu Nation, which played a big role in shaping hip hop in its earlier years. Gray was arrested while he was filming a demonstration against gentrification. (2) Paralleling some of Tupac's efforts discussed below, Gray is currently working with 1Hood to promote peace among the oppressed nation youth in Pittsburgh, PA. There's nothing the government fears more than for the oppressed to stop killing themselves and each other.

While the popular culture likes to see Reality Rap, now known as Gangsta Rap, as the beginning of the ultimate corruption of hip hop, the truth is that pioneers Ice-T, NWA and Tupac were unabashedly opposed to the state and received a lot of heat for it. Their shows were canceled, their records delayed, their songs were censored and they faced constant surveillance and regular harassment.

While the forms of art that originated in hip hop culture have been greatly co-opted through the corporate media to serve the state itself, the potential threat of a culture that keeps strong roots in the oppressed nations remains. John Potash put out a detailed documentation of the history of the state's use of COINTELPRO against musicians, connecting it to operations against revolutionaries who preceded and often inspired them. He describes how the NYPD formed the first rap unit with COINTELPRO training, and then went on to train other metropolitan cops around the country. His book centers around the life and murder of Tupac Shakur.

Tupac Shakur's step-father was former Black Liberation Army and revolutionary physician, turned prisoner of war, Mutulu Shakur. He was one of a number of influential elders in Tupac's life as he grew up that were part of the Black Power movement. In his meetings with Tupac he says that he pushed Tupac to question and define this Thug Life thing, which they eventually did together in a 26 point code that was accepted by Bloods and Crips (and later others) at the 1992 peace summit in Los Angeles. (3) This led to a major counterintelligence operation targeting those involved, including Mutulu who has been caged in a federal control unit ever since.

Sanyika Shakur, a former Crip leader, was one who was inspired to support these efforts. He was also targeted for isolation in the California prison system where he currently sits (such peacemakers are the so-called "worst of the worst" that fill these torture cells). As he pointed out, the government had reason to be concerned about these efforts to unite Black and Latino youth as the street organizations in South Central were recruiting more young people each year than the four armed forces of the united $tates combined. (4)

John Potash's detailed research into 2pac and other musicians and Black leaders, show clear connections between government black operations and the repression of those who mobilized oppressed people. The primary role that Tupac played in the "East vs. West" feud in the hip hop scene was ironic after his work to unite warring sets in Los Angeles. But Potash paints a picture of state-led manipulation that led Tupac to play into their plans.

Potash traces the use of sex and drugs to manipulate both activists and musicians as described in the FBI document quoted above. The sexual assault charges brought against Tupac were one example of this. (5) Death Row Records, who he paints as an FBI front, kept 2pac swimming in alcohol and weed, like the FBI did to his mother when he was a kid using a drug dealer who got close to her. Death Row even turned Dr. Dre, who once rapped "yo I don't smoke weed or sess cause it's known to give a brother brain damage", into a giant weed ad with his debut solo album, "The Chronic." In the decade that followed, regular marijuana use increased significantly among Black and Latino youth, with greater disabling addiction problems, perhaps do to increased potency of the drug. (6) Today, weed and alcohol are constantly praised by rappers.

In his last days, Pac was sober, reading Mao and talking about uniting Blacks across the country. He was soon killed and no one was charged with the murder even though he was being closely watched by multiple state agencies at the time, just as Biggie was at the time of his death.

A big lesson to take from "The FBI War on Tupac Shakur and Black Leaders" is that the government has a strategy for neutralizing potential leaders that they use over and over. To counter this, activists need to be aware of the strategies and develop strategies to counter them. As an individual Tupac was easily manipulated, but even a disciplined party like the Black Panthers was manipulated into a similar East vs. West coast division that could have been avoided. In both cases, the FBI took advantage of internal contradictions among the people involved. So, while studying FBI tactics is a useful way to defend ourselves, more importantly we must put politics in command to make a movement that is difficult to knock off course.

notes: (1) Potash, John. The FBI War on Tupac Shakur and Black Leaders. Progressive Left Press, Baltimore. 1997. p.56. (available from AK Press)
(2) http://hiphopandpolitics.wordpress.com/2009/07/17/first-wise-intelligent-now-hip-hop-pioneer-paradise-of-x-clan-get-arrested-on-trumped-up-charges/
(3) Potash. p. 63.
(4) Shakur, Sanyika. Monster. Grove Press, New York. 1993.
(5) see Communist Opinion on the Kobe Bryant Case for more on the ridiculousness of such lynching campaigns
(6) Prevalence of Marijuana Use Disorders in the United States. The Journal of the American Medical Association. Vol. 291 No. 17, May 5, 2004.

dead prez
Hosted by DJ Green Lantern
Turn Off The Radio Vol. 3: Pulse of the People
June 2009

Almost everyone who wrote in complaining about the state of hip hop cited dead prez as the exception. Taking off where 2pac left off with Thug Life, dead prez has popularized a more consistent and developed code under their slogan of Revolutionary But Gangsta. The RBG mentality comes out on this tape in their refrain, "All the G's I know is part of the revolution." While not quite gaining the popularity of 2pac, the generation of rappers just coming up is full of youth who developed their consciousness listening to dead prez albums. We think that's a good thing for the future of hip hop culture.

MIM has thoroughly reviewed dpz's earlier work, and this mixtape follows in that tradition; strong revolutionary music. The sound of Pulse is a little different than the past, with more of a rock & roll element in a lot of the samples used. This brings us to one of the other elements of hip hop: DJing. The fact that DJ Green Lantern hosted this mixtape added to the anticipation for many.

The MC talks, so it is easy to analyze the content of what they say. Graffiti, while not as popular as rapping, is similarly easy to assess for content. But dancing and making beats are more abstract arts. Some argue that music with no lyrics, dancing and even many visual arts have no political content.

As MIM wrote in MIM Theory 13:

Mao explained that all classes in all class societies have both artistic and political criteria by which they judge art - and all classes put the political criteria first. This the bourgeoisie will never admit, but it is constantly shutting out, censoring and destroying proletarian art no matter how high the artistic merit or quality.(1)

Green Lantern is interesting as a DJ who put out this latest dpz mixtape as well as Immortal Technique's highly recommended record The Third World. Before that he put out the Bin Laden single with Tech and earlier this year released a track on the Oscar Grant shooting and riots. All of these works combined demonstrate that yes, a DJ's work is political. As an artistically superior DJ and producer, who worked with such popular MC's as Eminem, Jay-Z and Nas, Green Lantern adds the artistic quality to the political line, to create a superior revolutionary culture. Without DJ's like Green Lantern the "conscious" music never gains mass appeal.

The DJ has quietly become more and more prominent both alongside and independent from MC's. Green Lantern is a good example of this with his work on video games, which now have their own soundtracks, and his own radio show. While this reviewer isn't familiar with all of these works to speak on Green Lantern's career as a whole, he clearly doesn't work exclusively on revolutionary projects. While Nas's Nigger Tape was a confusing mix of reverence for both the Black Panthers and Barack Obama, Green also worked on a mixtape that was expressly dedicated to getting Obama elected.

On that note, we can say that dead prez is the vanguard here, pushing Green Lantern to do more revolutionary projects. To their credit, dpz has always got the principal contradiction correct, and never wavered. This tape is no exception with lyrics like:

"That's why ain't nothin' patriotic in me
For their system my heart is empty"

and

"I don't represent the red white and blue
I cut the head off the devil and I throw it at you."

The latter line is from Afrika Hot!, which is both the dance hit on this release and also one of the more revolutionary tracks lyrically. The overall message of Pan-Afrikanism and Third World unity in this song is right on. But when groups like the African People's Socialist Party, who Stic Man and M-1 used to work with, go so far as to build an African Socialist International, with leadership based in the united $tates, we think that contradicts the lessons we have learned from previous attempts at communist internationals. Despite their relative oppression, New Afrikans are a separate nation, with a much more privileged class position than the many nations of Africa and should not be guiding struggle on the continent.

For the most part we were ambivalent towards dead prez's dealing with gender and sex in the past, but gave them a much higher rating than the average hip hop artist. In the final track on Pulse, My Dirty Valentine, they get into their fantasies and desires that eroticize power and rape. While MIM(Prisons) opposes sexual liberalism, we also do not try to police people's bedrooms in our efforts to overthrow the patriarchy. But by rapping about these things, dead prez is telling their listeners what is sexy, and art does influence real life.

Overall, dead prez not only provides the critique, but they also provide a method for finding solutions, the dialectical materialist approach to the world. As they mature politically, these themes seem to have become more prominent in their music. The back to back songs Refuse To Lose and Life Goes On are good examples of their inspirational and educational approach, rather than just beating their listeners in the head with rhetoric.

"Many days didn't know what to do/ but we survive/ Every struggle is a test/ a lesson/ You just gotta figure out how to overcome and catch the blessing/ They want us to turn to dope and lose all hope/ spirit broke and confused/ But I refuse to lose/ Through fear/ through pain/ through loss/ I can't stop/ won't stop/ 'til we make it to the tip top/ This is hip hop"

"If you ain't happy make a change then/ If what you're doing ain't working/ it might be time to change plans/ You're looking at a changed man/ from where I used to be/ It's no fear/ I ain't going nowhere/ so get used to me."

"You can make a choice now how you wanna live/ You can be negative/ You can be positive/ But either one is up to you/ It's your prerogative/ It's not what happens to us/ It's how we handle what happens/ The ups and downs in life give us understanding and balance."

And remember, Turn off the Radio! Turn off that Bullshit!

Notes: (1) Chinese Art in Revolution. MIM Theory 13: Culture in Revolution. 1997. p.30.

Eminem
Hosted by Dr. Dre
Relapse
May 2009

Relapse is Eminem's 6th studio album, released May 15, 2009, with the sequel Relapse 2 expected to drop November of this year. It sold over 600,000 copies in the first week of its release.(1) As the title implies, the content of the album is devoted to the many facets of Eminem's struggle with drug addiction. To any fan of Eminem, or anyone who's heard his older stuff, it should come as no surprise that the main objective of Relapse seems to be to perpetuate misogyny, primarily thorough rape fantasies. Although there are two whole entire songs depicting violence against wimmin ('Same Song & Dance' and 'Stay Wide Awake'), that isn't enough to keep Eminem from making references to rape and unwarranted physical contact throughout the entire album. Physical violence isn't just directed toward wimmin; there's violence against gays, graphic depiction of child molestation, and the rare allusion of violence against his peers.

The chorus to 'We Made You' is overly conceited, but with the lyric "Who could really blame you? We're the ones who made you" he is blaming the consumers for his audacity. That is partially true: if amerikans weren't so into individualism and misogyny, then they probably wouldn't be so into Em's shit. But even more true is the role that the corporate record companies have played in pushing it on the people, which you can read about in the title article to this issue of ULK.

There is also a consistent focus on the individual's problems throughout the album, instead of problems of the group. In fact, the only thing Eminem seems to have a group perspective on is that all wimmin are bitches. In the track 'My Mom' he relates all of his drug problems to his mother's addictions, as if she was one womyn separate from society. However, all of us are affected by the culture and society we live in, and drug addiction is one way the people in a fucked up society can adjust to living this way. It's likely that Mathers' mother was the strongest direct influence on him, but she is just a reflection of her culture and society, making that the real problem. In amerikan society it is especially important for us to combat individualism, because oftentimes, ideologically, it is the largest obstacle standing between the oppressed and increased public opinion for their liberation.

In real life, Mathers has been using the 12 step program for his recovery, which he mocks in the skits on Relapse. Twelve step programs, such as Alcoholics Anonymous or Narcotics Anonymous, may work to keep individual people from using. But on a group scale its goal is to adjust people to function without drugs in a messed up society, instead of addressing the problems of society, which can only be thoroughly dealt with through revolution. Of course, we don't think living under imperialism is easy, and people usually do need support outside of themselves to recover from addiction, and to be useful to the revolution. But we would prefer a 12 step program that's not focused on god and a "higher power" and instead focused on liberating oneself through liberation of the proletariat.

With all this talk about dealing with our problems, Relapse doesn't offer many solutions, even for the individual. 'Deja Vu' is a submission to addiction ("I wanna get away from this place, I do. But I can't, and I won't.") which is followed by the rap ballad and single, 'Beautiful.' 'Beautiful' is about fighting depression, and with a chorus like "Don't let em say you ain't beautiful/ They can all get fucked just stay true to you" it's the most, and only semi-encouraging song on the album. This can serve revolutionaries who are feeling alienated by their political views here in the belly of the beast, where the majority of amerikans are bought off by imperialism and aren't materially interested in revolutionary politics.

Dr. Dre keeps our heads bobbing, but beyond that, Relapse, and Eminem's career in general, is just another example of how imperialism and capitalism prioritize the mental health of the people last. It also is another tired example of how capitalism encourages the recording industry to push fucked up politics into hip-hop culture, and this reviewer expects more of the same from Relapse 2.

notes:

(1) http://www.billboard.biz/bbbiz/content_display/industry/e3i331f30f79c3e3c746847c8d7166631d3

Greetings komrades,

I received ULK July, no. 9 and I disagree with part of your response to the prisoner that wrote on gender. You stated that the prisoner's characterization of women as "very emotional" beings is actually a good example of sexist views.

However this is a topic I have long ago done research in. Medical science in fact states that men think with the left side of their brains which is the logical and reasoning side, and women think with the right side of their brains which is emotional and sentimental. Thus this is not a sexist view but a medical one.

This means if medical science is correct then that would mean that female officers are more emotional than male officers, which of course doesn't make them more dangerous than male officers. Both male and female officers are illogical because the system which they adhere to is illogical. It is also an established fact that some of these hoochies that been dogged one too many times by males on the streets who become guards all of a sudden, because they lack the education to gain better employment, will exercise their piggish authority over male prisoners with a wrath, just because they can.

However that's not to say that male guards don't do the same when they remember that their lunch money was taken away one too many times in high school by thugs, thugs similar to the ones they now have authority over.

To summarize, the job of Gestapo in any U.$. concentration camp sucks, but women guards should never be allowed to work in men's prisons. They're just slightly more useless than their male counterparts. When something serious pops off they all run for cover in fear for their lives. Courage is not a criteria to become a correction pig. "A man who controls his emotions controls his destiny. The one that doesn't is unstable in all his ways."

MIM(Prisons) Responds: Although it may be scientifically too soon for us to say that men and wimmin are completely alike, we must remember that all studies about nature vs. nurture (in this case brain chemistry vs. socialization) are done under hundreds of years of patriarchy. It is impossible to determine how humyns ultimately behave with no outside influence, because we are very deeply affected by the culture we grow up in.

At this point in time under the patriarchy, it is counter productive for revolutionaries to make sweeping proclamations about innate characteristics of men and wimmin. This debate is a distraction from the real issues, and plays into enforcing gender stereotypes. However, this comrade gets it right when he says that "both male and female officers are illogical because the system which they adhere to is illogical." No matter the emotional tendencies of any persyn, they will behave in illogical ways when put in an illogical position. In order to prevent the wrath of any CO, we need to eliminate the illogical job in an illogical society. This can only happen by eliminating capitalism and the profit motive, which will in turn get rid of the prison system.

Reading ULK 9, I see the same struggles are at the somewhat same level. Some worse than others. The same tactics these pigs use everywhere. I use the term pig freely because there are prisoner pigs also. Those who deem themselves righteous only to stab you in the back and work with the pigs here in Hughes Unit.

For a time these ranking officers were using what they called a snitch box. This box contained soups, chips, pouches of chili, radios, and hot pots. Word spread around that these items could be yours if the information was useful. The more valuable, the more you got. Then people who never make store started having radios, hot pots, commissary. These pigs sold their souls for more petty shit. This tactic has been used in wars. Those in need were kept away from what's theirs, but given to those who work with the government.

I'm in Administrative Segregation. These people claim that I'm a confirmed member of a Security Threat Group. I won't admit to it and I won't sign up for a program for something I'm not a part of. So here I am. Been here since 2005. This time here I've come to learn about myself and start to take different approaches in everything. These people hate to see smart people use their own system against them. I'm still trying to learn and grow more. What you all send me in this ULK gives me an extra push. So thank you comrades!

[Spoiler Warning]
Star Trek (2009) begins with a battle in outer space, where the last remaining Romulans have traveled back in time to attack the United Federation of Planets, in hopes that by emotionally scarring Spock in his younger years, they will feel better that their planet, Romulas, is going to be destroyed by their dying sun. The Romulans blame Spock as an individual for this disaster, presumably because he was (or will be) the scientist in charge of protecting Romulas. Both old Spock from the future, and young Spock in the present, are forced to witness the destruction of his home planet, Vulcan, as revenge. It isn't clear what Spock's actual role will be in the destruction of Romulas, and for the sake of this review, we will just look at the information portrayed in this film, not the Star Trek television shows or other movies.

The writers of Star Trek would like to portray Earth in the year 2233 as its own single, united nation of Humans. This is just amerika's beloved Hollywood attempting to teach us how "peaceful" the planet could be if we all just submitted to the white nation and let them run the show. In the Star Trek future, nearly everyone from Earth is white, which not only opposes political science, but genetics and evolution as well. The filmmakers suppose that present amerika and europe will conquer all non-white nations and either destroy them, or keep them marginalized in the fields of military and imperialist science, thus having no role to play in a movie about intergalactic exploration.

The Federation societies shown in Star Trek (2009) aren't very different from amerikan society today. Alcohol abuse is common, wimmin are sexually harassed and assaulted, expensive material objects are idealized, and individualism is widespread. Humans join the military because they have nothing better to do, want persynal glory, and/or to "kick some Romulan ass." All these factors demonstrate Earth as a capitalist country, another misprediction.

The glorification of the individual is so common in this future society, in fact, that Spock, then captain of the Enterprise, abandons the ship as it is being sucked into a black hole. He does this to rescue his parents from the imploding planet of Vulcan. In the eyes of many amerikans this may seem heroic and forgivable, to put the whole crew at risk of imminent death to protect his culture. Of course, thank Hollywood, Enterprise manages to make it out safely, with Spock on board, but it is a completely irresponsible move. Another example of individualism is shown when a minor crew member is having such a grand time skydiving through the Vulcan atmosphere, ready to kill some Romulans, that he intentionally activates his parachute too late, for fun, and dies. In reality we need to combat our own persynal desires for fame, glory, and subjective "fun" in order to create and preserve a strong movement, and, when the time comes, armed struggle.

The film also supports individualism, as well as ideas of genetic supremacism, through the character of Jim Kirk, who is a naturally good captain taking after his father. He is able to come into the academy from a life of drunken recklessness and surpass his fellow students in Star Fleet. His success justifies judging people's qualifications based on their parents. The Enterprise does function as a team with many roles to play, which is superior to Rambo style heroism. Kirk is able to keep the goal of the Federation in focus, making him a good leader. Like the lumpen, his lack of investment in other things allows him to focus on one greater goal once he is able put it ahead of his self-indulgent lifestyle. While a good leader must be willing to challenge the status quo as Kirk does, the movie romanticizes this as a magical skill that he was born with, not one that requires hard work and experience, particularly in partnership with others, to develop.

The Vulcans are a logical and emotionless "race," which is intended to highlight the passion and senselessness of "human nature." This is incorrect western psychological theory, but it also provides for some good advice from Spock's father, if we humyns should take it as our own. "Logic offers us [Vulcans] a serenity humans seldom experience: the control of feelings so that they do not control you... You are fully capable of deciding your own destiny, the question is, which path will you choose? This is something only you can decide." The lesson here is to avoid escapism, and take control of our future.

But what cultural impact does Star Trek(2009) have? All good art has an impact that is more than just logical, so the question is, what is the outcome of that impact? Good art elicits a response by epitomizing a truth faced by the audience. Hollywood-style art, in contrast, attempts to impose emotional responses through generic intensity. This style of film is based strongly in eliciting emotional responses from the audience, and although there are still plenty of cliff hanging scenes (literally) and tragic moments between loved ones, the action scenes are often overdone in a way that can conflict with this goal. In the end of the movie, old Spock confirms to young Spock the importance of following your gut rather than logic, while his father admits to "loving" his mother for the first time. This triumph of emotionalism opens up the audience for a justification of subjectivism in making their decisions.

To focus back on the Romulans, achieving persynal revenge for the future loss of their home is a poor strategy that doesn't serve anyone. A real solution would have been for the Romulans to have gone back in time and advance technology to save their planet in the future. The Romulans' revenge strategy is very different from the oppressed people in our world attacking the oppressor for their own survival, even when their strategies are not successful. The oppressed lash out because they have been pushed to a point where they have no other options. This may be an emotional reaction or a strategic strike. The Romulans, in contrast, are letting their emotions drive them to act in ways that are contrary to their expressed goals, when they have an unusual opportunity to do otherwise.

It is also worth noting that the Romulans are portrayed as anti-social in appearance in ways that parallel certain lumpen groups in the united $tates. Star Trek can appeal to liberal multiculturalism with their Black, Asian, Arab and even a green-skinned humyn-like character all being included in Star Fleet. This is similar to seeing a Black president as being a sign of progress today, while using Islam, drugs and gang-banging as excuses to attack the oppressed nations. That's why we talk about the problem of white nationalism, which allows for exceptions, and not racism.

In reality, there is no way that humyn society could have survived another 225 years without eliminating the contradictions inherent in imperialism that threaten our lives on a daily basis. Thus, if this were a propaganda film from a proletarian perspective, the universe would have been portrayed as cooperative. What might make such a movie interesting is speculating how such a society might be run after eliminating the militarism and gender dynamics of today. In a proletarian version the Romulans would have seized on their opportunity to use their new found scientific advantage to save their people rather than resorting to revenge. Even old Spock, who had lived through this disaster already, could have been engaged in this project. He actually did bring technology from the future to the present, but it was just to benefit the Federation. While the Federation has the potential to serve as an example of greater international (and interspecies) cooperation in the future, like most Hollywood scifi, it serves as a stand-in for the united states or the united nations, justifying imperialist militarism against the oppressed who are vilified as irrationally vengeful monsters.

Culture is something we interact with on a daily basis, and it affects everything we do as well as how we think. Yet it's something most people in u.s. society pay no mind to, or do not think deeply and critically about. Culture is a very powerful instrument of the state. Like a gun, culture can be used for bad, destructive purposes, or for good, liberating purposes.

Culture is something learned in a society. We are not born understanding culture. So just as people and a society can change, so can a culture change. When culture is passed from child to child, or from elderly to children, generation to generation, this is called "enculturation." When someone is "enculturated" it means they learn what is funny in society, what is offensive, when to eat, when to sleep, why to get angry and why to be content. All this stuff we learned through "culture." Everything, like how to sleep, what to struggle for, how to sexually satisfy, all of it is determined by culture. We have learned this stuff as a child. We observe and see what is socially acceptable in this society and at times we learn some of this culture in public schools where the teachers "enculturate" us.

In a society, a culture must determine its food, shelter, laws, education and the arts, as well as the production relations. Here in America the culture is a capitalist culture so everything is based around the profit system. Whether the people go without, suffer or are exploited is beside the point. We learn from public school that America is a liberator (which is bullshit), but we do learn this. We learn that all are equal (except those we call terrorists). We learn all this patriotism about BBQing on the 4th of July, making a turkey on thanksgiving, and adding to the economic stimulus every X-mas by making sure we run down to the mall and purchase lots of merchandise for "X-mas presents." All this is part of capitalist culture in the U.S.

It is so saturated by corporations that even the people are corporate billboards, walking advertisements for corporations. Look on any street or in any public school, and you'll see people wearing shirts with the words "nike," "adidas" "tommy hilfiger," and all the corporate sports teams. This is basically millions of flying billboards where the people are used to advertise products without even realizing it themselves. Even the movies we see coming out are patriotic and glorify the dollar and luxurious living. Music is the same and rap music in particular, for the most part is talking about bling bling and everything revolving around that lifestyle. U.S. society is so saturated with capitalist culture that the vast majority can't even comprehend any kind of culture that is based on the peoples' interests. Most of the U.S. population has never studied revolutionary culture or seen how culture is a tool to direct society, so it is completely outside of their comprehension.

Looking at what shapes culture today particularly in the oppressed nations communities in the U.S. is most definitely the hip hop movement. Rap music is a vital element for young people today in shaping their culture. We saw back in the late 70s when hip hop had kids all across the U.S. walking the streets with boombox radios, in sweatsuits, breakdancing and popping and locking. This cultural phenomenon spread from the ghettos to the suburbs. In the 1980s when Eazy E and NWA came out, people across the U.S. started doing drive-by shootings and drinking Old English 40 ouncers. So this too had a big affect on how kids were acting and the things they were doing in society.

The 1990s saw in the beginning years of hip hop a lot of talk of dope and money, pimping, etc. But toward the end of the 90s, 2pac started bringing a slightly different vibe to music. A more revolutionary scant to his music began developing, and then he was assassinated. So the 2000s came and it's more "bling bling or die trying bling bling" type of music in the hip hop arena. And so kids across the U.S. are once more affected by having gold and diamond encrusted mouths, and driving SUVs with tens of thousands of dollars worth of stereo equipment and accessories. This is the current culture of U.S. society when it comes to hip hop today. Of course there are a small handful of rappers who put out a more progressive form of rap like Dead Prez, Paris, The Coup, etc. But most people haven't heard of these groups because they are not getting the Madison Avenue advertisement contracts and are not getting signed to major record labels that are more corporate-friendly. So a progressive or revolutionary rapper may be from California and have been rapping and selling CDs and tapes since the 80s, yet someone living in Detroit never heard of them.

What makes hip hop so powerful is it attracts so many young people, worldwide. It is thus a vehicle for revolutionary culture and building public opinion. But this is something that not only revolutionaries have noticed. The imperialists are also aware of this. Anything that can potentially threaten capitalist society will be monitored and by any means manipulated.

I just finished reading this book called "Malcolm X: The FBI Files." It was basically a chronology of Malcolm X's life, but the most interesting part of the book, after reading about "white devil" this and "white devil" that, was how the feds sought any Black leaders and written in the feds internal memos, would be things like "do not allow a charismatic leader to unite Blacks, use manipulation, disinformation" etc. So basically this applies to all oppressed nations people: should the people begin to unite or organize, the state would target us for the purpose of destroying whatever we have going. In this book it also had a designation term called a "key figure." Once they designated a person as a "key figure" not long later that person was assassinated. In the book the "memos" on Martin Luther King designated him as a key figure, and soon after he was dead. Malcolm X was designated a key figure and soon after that he was dead. When these memos spoke of a key figure and said it was one who could "electrify" his people and unite them; someone who has an overwhelming influence on the community.

Looking at hip hop again in a new light, we can see how hip hop can indeed "electrify" the people and unite different levels of society. We had a 2pac who practically every kid in the U.S. listened to, and who influenced all these people in the U.S. As he began to become more politically conscious in his music, waking up even suburban kids to some of our political prisoners, I could imagine thousands of white suburban kids at the dinner table after listening to Pac ask their parent, who may be in law enforcement, or even a fed, "what's a political prisoner?" We can see how the state can see someone like 2pac as a possible rising figure a vehicle to help build revolution in the U.S. We can also see how if someone in the hip hop community like 2pac took on a real revolutionary stance in his music, it could have made millions conscious of what this country is really about. Public opinion would have received a major thrust forward. This could have changed hip hop culture into revolutionary hip hop where all major rappers began to speak reality, opening up more minds to real struggle. The possibilities are endless. Hip hop plays a major role here in the U.S., as the youth, the oppressed nations, and the lumpen will be the backbone of the revolution in this country.

To get an idea of what revolutionary culture would look like one need only look to China under Mao, 1949-1976. In Chairman Mao's Peoples Republic, China underwent dramatic change from and in all areas of life. China's past was one like most third world countries, where exploitation was considered the norm, peasants were worked to death by the greedy landowners, children were sold to pay off debts, prostitution ran wild, opium was as common as cigarettes are today, women were property, illiteracy was the norm if you weren't wealthy... Basically the majority was ruled and exploited by the few.

When the revolution came, Chinese society was transformed. All areas of life, entertainment (culture), were now in the interest of the people. The peasants no longer toiled the fields for 18 hours, or in some cases 20 hours a day, to pay off a debt to the landlord. Now peasants worked half days in the land they were given, or in the collective farm, and the rest of their day they went to school to learn to read, write and discuss revolutionary theory. Thousands of teachers and doctors from the cities volunteered to go out to the country or the mountains where the peasants had never seen a teacher or a doctor. They did this not for better pay or a nicer neighborhood. Instead they did it to help, or as Maoists say, serve the people. The ballet and opera no longer showed plays of a capitalist nature. Now the ballet and opera showed plays of the people struggling for revolution. In the school children no longer learned poison, as today's U.S. children learn: that murderers, rapists, and genocidal psychotics like Christopher Columbus, Hernan Cortez, or Amerigo Vespucci were American heroes.

Instead, in Mao's China, children learned who the exploiters were and who were the real peoples' heroes, as well as the many revolutionary leaders worldwide, and political theory. Unlike in U.S. prisons where every prison cellblock has 30 bibles in the dayroom or half the prison yard is christian or muslim, and religious chaplains make their rounds door to door, in Mao's China every prison cell had a stack of revolutionary books of leading theoreticians so that prisoners could learn of many struggles taking place all over the world. This was provided by the revolutionary government. Every day prisoners were allowed to participate in a large study group where they would discuss what they were reading and grapple with theory. Even in the factories the workers would take breaks to rest and discuss political theory in groups. Women with children were provided collective childcare in their neighborhood free of charge so they would work half day and partake in study the other half to contribute to the revolution. This was the environment in Mao's China, and this is the revolutionary culture we can look forward to. In revolutionary culture everything is done to advance the revolution. In this type of environment the people will give their all as they know their comrades right beside them are doing the same, not for personal gain or money but for the people.

Today's culture in the U.S. is all about money and everything is done with personal gain as motivation. So a revolutionary culture in this country would reverse all of this and every sphere of society would be contributing to the people. En la lucha.

Hip hop in the true revolutionary sense has not been the juggernaut it has the potential of being in relations to the political and social struggles of the proletariat and lumpen masses, who are the living breath of the hip hop movement. This is because the pure essence of the hip hop sector is capitalism, it's part of a capitalist system, a false democratic society/system built upon ethnocentrism and imperialism for the purpose of massive global exploitation. The survival of hip hop is based on the pathological symptoms of a pathologenic system.

The hip hop community have ostensibly engaged in the initial phase of revolutionism, which is exposing the un-equalitarianism of the disenfranchised, which is a revolutionary act. However, in most cases the hip hop community does not go to the next level, by incorporating the subversion and rebellion of the very same system that are constantly creating inhumane living conditions, through its policies, laws and codes, that the hip hop community is constantly rapping about, and trying to escape.

Therefore, the cultural revolution within hip hop, though relevant, is incomprehensibly incomplete, in its holistic form, and needs an in depth introspection of self.

Nevertheless, certain elements within hip hop have created a grassroots movement to bring awareness with a focal point on change and liberation to the masses through an entire restructuring of our government system of control.

Remember, hip hop belongs to the people, the streets, the ghettos, and the souls of the disenfranchised. Thus, we must take back what is rightfully ours, or force those who utilize the mechanics of change to do so in the best interest of the people, instead of selfishness and personal gain.

Your May 2009 issue of Under Lock & Key is probably one of MIM's best work to date. This is a classic publication. The exposure of the repressive agent's oppressive systematic slave labor prison camps here in imperialist united states of Amerika is mind boggling, to say the least! Others and myself are very in tune to this information, as we are directly victimized by it.

There has been much discussion on this subject amongst a selective few prisoners who want to effect a change but don't quite know how to incorporate the masses within our confinement. I, and others, have elected to stop coming out of the cells to work, yard, showers, etc., for 120 days. We suggest that others participate and we want to discuss what demands should be put on it.

MIM(Prisons) responds: We support the movement towards collective action by prisoners to effect change in repressive conditions. However we must think carefully about refusing to leave cells. The access to other prisoners in the yard is a key way in which our comrades organize behind bars. An upcoming issue of ULK will be focused on organizing strategy and tactics, so we welcome comrades' responses to this letter.